Personal Stories – Page 20 – Journeys of a Hybrid

September 28, 2010September 27, 2010

The Power of Sharing and Networking

I’ve always been an independent creature, starting with a year long backpacking odyssey as a 19 year old traveling solo, following the “hippie trail” around the world. That sojourn led me to pursue a career as a still photographer, using my camera as a tool to gain access to people, their cultures and their stories.

I’ve had a great ride these past 30 years shooting assignments for high profile magazines that have taken me to all parts of the globe. For the most part, I was a solo act, spending hours, days and weeks observing people, then becoming more intimate as I proceeded to get to know and tell their stories and share them with others.

When I started shooting motion and in particular digital video, eleven years ago I embraced the notion of collaboration. Video production has a lot more facets to it than just the shoot and I knew that even though I knew how to capture reasonably good sound and edit a respectable rough cut with Final Cut Pro, I also knew that working with professional sound people and editors would raise the bar on the quality of my projects.

This past weekend, the value of collaboration, networking and using social media to get my ideas out to the universe, really hit home. I had been asked to speak at the Photocine News Expo in Hollywood, CA about my latest documentary that I was working on, Opening Our Eyes. I had gotten to know two of the organizers of the event, Michael Britt and Lou Lesko, through social media. They had taken notice of my blog and my project, which I had decided to shoot with the HDSLR cameras and had written about it in their blog, PhotoCineNews.com.

I was honored and humbled to be speaking at the same event as some pretty heavy players like Vincent LaForet and Shane Hurlbut. I was a bit intimidated at first, but I knew that I was there to share what I knew and that is how to get a passion project from just an idea – to a reality. So, after returning from my 99-day journey, with just a couple of weeks to prepare a sample from some of the 145 hours of footage that were shot, I flew out to LA.

Here’s a rough cut of that 10-minute sample: Opening Our Eyes – Tease

I suppose I can legitimately say that I have had a theatrical showing of my documentary in Hollywood. True enough – but the real value for me this weekend was in sharing with my peers and making connections with people who I will work with in the future that will help me grow as a filmmaker and storyteller and more importantly who will bring their expertise to my film.

It’s an incredible time that we live in with a realm of possibility. Literally anything is possible. When you share and put things out to the universe – you just never know what you’ll get back. I’ve learned that I share because it makes me feel good – not because I have expectations for an immediate or monetary return. But each and every time I do share – I get back so much more in return.

September 13, 2010September 13, 2010

Editing and Workflow for DSLR’s – The First Steps

In the Field
Depending on how you are working in the field and what you are shooting, your workflow and the way you organize and manage your media will vary somewhat. If you have a crew and are shooting a scripted video, then you will probably have a computer and technician on site, downloading media as it is shot, backing it up and checking it for focus.

If you’re working solo or with just one other person, which is how I have been working for the past 3 ½ months on my project, Opening Our Eyes,

GailIMG_2946 — Gail at the Kopila Valley Primary School, Surkhet, Nepal

then you don’t have the manpower to work that way. I downloaded all my footage, audio and stills at the end of the day. I rarely had the time or even the battery power on my computer (electricity was scarce at times) to look at what I had shot but I did do spot checks occasionally.

Regardless of how you work in the field,

Nepal_MG_5899 — Children at the Kopila Valley Primary School

it is essential to create redundant backups of all your content. I backed everything up to two portable external hard drives, after downloading the media to my laptop via card readers. There’s a nice software application called ShotPut Pro that lets you make up to 3 copies to different drives at a time, which speeds things up quite a bit. For the most part, I had organized my media by destination and subject with each folder containing the contents of a card. Whenever I shot an interview, I put a fresh card in the camera so that the content was automatically sorted out from the b-roll. Some shooters I’ve talked to who are used to shooting tape, archive each tape or card by making a disk image (DMG) of each which can be mounted on the computer, emulating the original card.

Back in the Editing Suite

The first thing I did when I returned from my 99-day journey, was to make two backups of all my material. After my media was backed up, I started to organize it. Everything had already been separated as far as destination and subject, but I needed to separate the stills from the video and the interviews from the b-roll – if any cards contained both. I also needed to match up the interview video footage with the audio files that had been captured by a separate recording device.

After getting all my media organized and sorted by destination, subject and file type, I renamed the files and added any relevant metadata – copyright and creator info etc. This can be done in Adobe Bridge. You can also look at the video files in Bridge to preview before transcoding them. Another way to preview your video files is by using QuickTime player. Because the files coming out of these hybrid cameras are compressed H.264 files, they do not play smoothly in Final Cut Pro, so they need to be transcoded into a codec like Apple Pro Res, before editing them. This can be done in Apple Compressor which comes with the Final Cut Pro Suite or MPEG Streamclip which is a free application.

You can choose to preview your video files first using Adobe Bridge or QuickTime player or another software tool, and then make a folder of “selects” and transcode just those files before importing them into FCP, or you can transcode everything and then import everything into Final Cut Pro.

After I organized my assets (stills, video and audio), I chose to transcode ALL my video files and import everything into Final Cut Pro. That way, not only could I preview everything smoothly, but I could also start adding information to the clips and organize them into bins within FCP. And with everything transcoded, I won’t have to leave FCP if I wanted to look at content that hadn’t been previously marked “selects”.

Getting to the Fun Part
Organizing, sorting, logging and transcoding is tedious work but it’s essential in order to be able to find things quickly when you need them, when you start laying down your storyline and want to keep focused. There’s nothing worse than having to break your train of thought while you’re editing and have to leave the program to find assets or prep them. Organizing is key – it’s not fun, but a necessary step in the process.

I will continue to slog through this initial process this week, in order to get through some of my content so that I can put together a sample for the PhotoCine News Expo that I’ve been asked to speak at this month. I have way too much material to go through everything, so I’ve decided to tackle the content from two of my subjects, which will make the task more manageable. It will also provide me with the reward of working on the “fun part” of editing by crafting a short story before moving on to daunting task of assembling the entire documentary. Check out this quick sample that I put together within 24 hours after getting off the plane. http://www.vimeo.com/14645594

Little by little things will come together and I’ll keep you posted as I go along.

September 7, 2010September 7, 2010

Post-Production – Overcoming Inertia and Getting Started

I returned back to the United States a couple of days ago and before I even did my laundry, I sat down to edit a quick behind-the-scenes interview video clip of my daughter and I discussing the documentary we had just finished shooting, traveling around the world. I was motivated by a deadline where I needed to provide a video clip from the project, right away.

I was fortunate in that we had just shot interviews of each other talking about the making of the film, while the experiences were still fresh in our heads. So it was relatively easy for me to pull a couple of soundbites from the interviews, sync the audio which had been recorded separately and add relevant B-roll. Within less than 24 hours after stepping off the plane, I had a 5 minute behind-the-scenes short. Nothing fancy, mind you but in addition to providing an opportunity for the film to get awareness, it forced me to start thinking about the overall structure of the piece.

The hardest part of editing is getting started – figuring out how the story will be told. In my case, I’m facing the daunting task of looking through 3 months of material – interviews, B-roll, still images, and behind-the-scenes footage that I need to figure out how I will put it all together. There are a dozen different directions where I could take this film in the editing process. I could choose to make each subject’s story an independent video, with the full length documentary being comprised of them all. Or I could weave the stories together – structuring the piece more thematically. Or I could include the mother/daughter aspect in the film and add some interview footage of the two of us talking about the project.

Just in putting together this quick sample, I have forced my mind to start thinking about the next step – crafting the story. My next deadline is to make a trailer for this film that hasn’t even been edited yet. I will be speaking at the PhotoCineNews Expo in LA in a couple of weeks and I’m motivated by this opportunity to present the workings of this project to a live audience.

As it turns out, jumping right into it was the best thing to do. I overcame the inertia that’s always present, and started focusing on how I was going to tell the story of not only our subjects but the experience itself.

August 25, 2010August 24, 2010

10 Things I’ve Learned Circling the Globe

I came across an interesting blog yesterday “20 Things I’ve Learned From Traveling Around the World for Three Years”, by Gary Arndt. It was pretty much on target with my observations from my very short journey of a little more than 3 months. But it got me thinking about what I have learned on these travels.

Erin and Gail, Peru — Erin and Gail and children of village along Amazon River, Peru

To travel is to experience and learn and also an opportunity to show other people from other cultures what an American (U.S. citizen) really is, beyond the news, the music and Hollywood movies.

1. People are good – Like Gary, I’d have to agree that for the most part most human beings are good. Sure there are schemers, con artists and thieves in just about every culture, but for the most part – people are good.
2. Government policies don’t always reflect who the people are – U.S. citizens are not all warmongers and not every Afghani is a terrorist.
3. The media exaggerates – Because we all get our news these days in abbreviated and sensationalized TV content – it’s distorted. I almost changed my plans to go to Thailand because of the coverage of the political unrest, which in actuality was contained to only certain sections of Bangkok.
4. There aren’t just “ugly Americans” there are “ugly tourists” – people around the world seem to equate badly behaving tourists as “ugly Americans”. I have found bad behavior is not solely exclusive to “Americans” or U.S. citizens – I have witnessed really bad manners from all types of tour groups – French, German, British, Japanese, Argentinean – you name it. I think it is more of a reflection of a “group” dynamic than a cultural one.
5. U.S. citizens are misunderstood – I find this is more common in countries that are more “westernized” than countries where you would think more of a discord would be present. For example – I found the people in Egypt friendly, curious and informed, unlike other “westernized” countries where the attitude was more of one of disdain. In other words, the more “westernized” a country was there seemed to be more of a preconceived yet narrow minded and naïve attitude about what an “American” was.
6. Cultural naiveté – Guess what folks – when you join those tour groups and they take you to the “untouched villages” along the Amazon River or to the hill tribe villages in the mountains of northern Thailand – they’re probably bringing you to government sanctioned tribal villages where the people have made it a business of “dressing up” for you. Some locals that I met referred to these places as “human zoos”. It’s kind of like expecting to see everyone in the U.S. wearing cowboy attire – I mean outside of Texas and Montana that doesn’t really exist anymore.
7. The Internet has changed the travel experience – you can pretty much get connected anywhere – anytime. My blackberry worked in some of the most remote places in the world. I could almost always get a cell signal – the irony was that I didn’t always have electricity to charge my battery. If you want to really get away – leave your laptop, iphones and blackberrys behind.
8. Go with the flow – don’t focus on what you miss from home whether that is a Starbucks coffee or a hamburger – discover the richness of the country you are in – the food – the music. As we become more and more connected with each other across the globe – we are beginning to lose our cultural differences.
9. I am a diplomat for my country – sure there are things that I don’t like about my country, the United States. But when I travel, I feel that this is my opportunity to interact with the people where I am visiting and to give them perhaps a more true picture of what an American is – beyond what the news and Hollywood portrays us as. That is if people give me a chance – if they haven’t closed their mind.
10. I am grateful that I can travel – and I think that everyone should travel – outside his or her country and culture. Don’t just visit the tourist sites but try to get out of the cities and interact with the people. The best thing about this journey is that our purpose was not to see the sights but to connect with the people. That made it meaningful and memorable.

August 23, 2010

Behind the Scenes DVD – or Not?

In a little more than a week, my 99-day journey trekking around the world with my daughter shooting a documentary, Opening Our Eyes will be over. Or will it? My work is really just beginning as I contemplate all we’ve done, people we’ve met and interviewed and how I will put this all together in an edited, finished film.

There are hundreds of ways I can edit this documentary and quite honestly, beginning the process and deciding the direction is always the most difficult. But there will be a moment when the light bulb goes off and the vision will be clear as to how to make sense of it all. Then it becomes easy as the story unfolds – as it should from my heart. It’s the story that can only be told by me and this case, me and my daughter.

My daughter and others have urged me to do a behind-the-scenes DVD

Gail Mooney showing kids her video shot at Kopila Valley Childre — Gail at the Kopila Valley Primary School, Surkhet, Nepal

– she tells me “that’s what people want”, to know more about the making of the film – more about the people behind the film. As much as I agree with her and understand this interest on the part of the viewer, there is also a resistance to make myself part of the documentary. With that said, a separate “behind-the-scenes” chapter could be the solution – to provide more information, without inserting the two of us into the film itself.

One thought does keep popping into my head that motivates me to provide a commentary on the why’s and how’s of this journey and the making of this film. Too many times when I’ve visited museums, I’ve been taken aback by some of the things that I over hear docents talking about in relation to the paintings. They analyze and interpret what the artist meant by his choice of color, brush stroke and placement of objects within the art and how that related to what was going on in his life at that point in time. I often wonder how they know that or even how can they be so sure? Is it documented or is it really just someone’s interpretation that has become fact over the years?

My daughter and I do plan to sit down this week and attempt to do on-camera interviews – while we are still in the moment and before we get back to our normal lives. Here’s where we need your help – tell us what you want to know. Maybe you’re curious about how we survived the dynamic of a mother/daughter team for three plus months. Maybe you want to know why we did this – or how we funded it. Or maybe the questions are even more basic – what did we like? – what was difficult?– any surprises? etc. etc. Perhaps you want to know more about the craft of shooting the doc– and how I went about that. And maybe you don’t really want to know anything at all and just want to know about the subjects of our film.

But please tell me what you’re curious about – as far as the behind-the-scenes making of this film. All questions are welcome – from the seemingly obvious to the more provocative.

August 4, 2010August 4, 2010

HDSLR in the Field – Recap of The First 70 Days of 99 Day Project Around the World (Tales of an Insomniac)

I woke up at 4 AM this morning after only a few hours of sleep – my body going through some major jet lag after over 22 hours of flying from Sydney, Australia to New York City via Los Angeles. Yesterday, my full day back, was spent taking care of essentials – like getting my gear to Canon for a full check up and cleaning,

and a visit to the Apple Genius Bar because my new laptop seems to have a living organism living behind the monitor which shrinks and grows depending on the climate I’m in, and of course taking care of my own personal needs.

As I lay awake in the pre-dawn hours, my mind was spinning with thoughts on what I had to get done before heading to South America on Saturday for the second leg of our documentary Opening Our Eyes. I have only 4 days to recuperate, rest up and gear up for the next leg. The bad part is, I’ve only got 4 days – the good part is, I have those 4 days, and can approach the second leg of this journey with the advantage of having a fresh experience in the field to draw from and make some changes in terms of gear I’m taking on the next leg. More importantly, because my turn around is short, I’m able to stay focused and remain in the mindset of the project.

So as I go over the gear that I brought on my first leg with lessons learned in my head and prepare for the next stint, I’ll share my thoughts with you:

• A good tripod is critical – if you don’t have a decent tripod for video, you can’t get fluid movement, so don’t even try. A locked down shot is better than a jerky shot in motion. I needed to travel light with all the flights that I faced, so I went for a carbon tripod with a fluid head that would fit in a suitcase to eliminate the need for another check on bag. So, for this next leg, I’m seriously thinking of taking my larger tripod because I don’t have as many flights where excess baggage charges could mount up.

• You can never have enough batteries when shooting with a DSLR workflow and by that I mean everything from the camera batteries (and buy lots of them if you can find them for the Canon 5D and 7D) to the expendables for the DT454 JuicedLink audio preamp, which takes 9 volts to the Samson H4N Zoom which takes AA’s. By the way, speaking of batteries, don’t make the mistake I made once by not powering the H4N Zoom off before changing the batteries. The manual mentions that by doing so, files can get corrupted. A couple of my audio files did get corrupted – the information was there, but it couldn’t be read.

• I’m leaving my over priced Nikon to Canon lens converter, along with my old Nikon glass at home – I never used them – never felt the need for what I was shooting.

• Can’t wait to edit my timelapse material that I shot using the Canon 7D camera and the Canon timer remote controller TC-80N3.

• I want to get more attachments for my GoPro Hero Cam because there are so many ways to use this camera – it’s amazing and I’m having a ball thinking of all the possibilities in how I can use it. The Hero cam will always be part of my gear kit.

• Always check what audio cords you’ll be needing. I embarrassed to say that I carried around my wireless kit but couldn’t use it with the Zoom because I needed a mini to male XLR cord and didn’t have it.

• Take 10-20% more memory storage than you think you will need when you’re shooting video. Video is a memory glut. I had been warned by some people that the Lacie Rugged hard drives that I were taking with me, didn’t have a very good track record – but as I write this, my content backups from my Lacie Rugged drives ( over 2000 gigabytes (doubled) ) are transferring to my desktop OWC terabyte drives and seem to be fine so the Lacies did their job. However, they are bulky and I’m going to be getting a couple of 500 gig drives that are more compact. Any suggestions for compact firewire external drives?

• Wish I bought the follow focus with my Zacuto rig. It’s expensive but would have been a real added bonus for visually highlighting one of the beauties of these cameras – the depth of field range that they have.

• Also wish I had a portable dolly like the Indislider but just couldn’t fit it in this trip. As it was, there were some items that I didn’t need to take and will be leaving behind this next leg.

• Wish I brought more mini tools – screwdrivers, allan wrenches etc.

• My Blackberry Tour Verizon phone blew me away. Even when I was in the northern hill tribe villages of Thailand, staying in a bamboo hut without electricity and plumbing – I was able to get my email on my phone! I’m impressed Verizon – I really am. Finding electricity to charge my phone was another matter.

• I could not have survived the 30 flights circling around the world i if I didn’t have my iPod. Thanks Apple.

Feel free to comment and share your thoughts of what has or hasn’t worked for you in the field and you can save me from making potential mistakes as I take on my next leg of this Journey August 7th. We are first headed to the Amazon area of Peru and then down to Buenos Aires, Argentina – again two diverse areas in terms of culture and climate.

July 30, 2010July 30, 2010

The Power of Possibility

In my laziness and urge to get outside and make the most of my last two days in Sydney, Australia, I am cross posting a post that was on my Opening Our Eyes blog – so forgive me if you follow me there.

Yesterday, I uploaded this photo on my Facebook status

Sydney-6039 copy — Sir Richard Branson, Damien, Captain Paul Moulds at Oasis in Sydney, Australia

. It got noticed as “celebrity” always does and one person remarked “hanging with the superstars”. I commented back saying that they were all “superstars”. Certainly, Captain Paul Moulds for the work that we devotes himself to with Oasis and reaching out to homeless youth in Australia and Sir Richard Branson for his generous support and making it possible.

But perhaps the biggest “superstar” is Damien, the young man in the middle who turned his life around from being on the streets with barely any hopes and dreams at all to having a job, a place to live and a bright future.

I was attending an event yesterday at Oasis where Branson was cutting the ribbon on the opening of a fitness center that his company Virgin had funded. But prior to the opening of the center, Branson and others listened to the stories of the “champions”, young people like Damien who against all odds, had redirected their lives to a better future. The stories were difficult to hear – stories about being abused – physically, sexually and emotionally. Stories about wanting to die and the attempts that they made on their lives because they felt unwanted and that they had no purpose.

I can’t even begin to really understand the horrors that these kids have faced in their young lives. I can’t even imagine how difficult it was for them to tell their stories, and yet they did so with grace, dignity and compassion for one another. They were there for each other and to show their gratitude to people like Paul Moulds and Richard Branson who make places like Oasis possible. One young man said – “without Oasis, I’d be dead”.

I will never forget that morning and it went far and beyond the thrill of meeting Sir Richard Branson and eating an egg sandwich that he had cooked on the grill. The most important thing I walked away from was being around a group of people with a like-minded purpose. A purpose of doing whatever they can to make a difference – a positive difference in the world. I could see, hear and feel the impact that Moulds and Branson had made in these young people’s lives. It was tangible and real – not just words on the pages of a foundation’s annual report.

As we wind up our time in Australia and head home for a few days break before heading down to South America, I am energized by something that Paul had mentioned during his interview. He was talking about an amazing documentary that was made about Oasis and the issues facing homeless youth in Australia. The documentary was two years in the making and gave an up close look into life on the street for these young people. Paul told me that after the documentary aired on Australian TV, the response and support that followed was astounding. It had made a real impact and prompted people into action – to help with donations or wanting to volunteer.

So I’m energized going forward that our little film will also create awareness and prompt others into action and what they can do to make a positive difference in the world. It’s a simple yet powerful thought and full of possibility – the power that’s within all of us to create change and make the world a better place for those that are less fortunate. The power of possibility – think about it.

July 28, 2010July 28, 2010

The Hard Part About Working With DSLR’s

After two solid months of intensive shooting a documentary – shooting both stills and video with two DSLR cameras, the Canon 5D Mark II and 7D, I can honestly say working with these hybrids is not easy. And it certainly isn’t fast, especially if you are working in a small crew as we are.

Yes, the visual is stunning but I can’t help but think how many moments I may have missed that I probably would have gotten if I had been shooting with a video camera. When shooting motion, I have a constant mantra running through my head and that is “shoot and move”. That’s because you need a lot of footage at the end of the day and you need to edit your film. I’m not talking about working with a neatly storyboarded script and a Hollywood crew. I’m talking about working lean and mean and in a somewhat discreet way that is in order when shooting a documentary.

That really hit me last night while shooting on the streets of Sydney, Australia. My subject that I’m focusing on here is Paul Moulds from Oasis, which is a youth support network dealing with homeless street kids. I needed to hit the streets at night and knew that I not only had to be sensitive to the situations that I’d be shooting but also alert to the dangers. I’m positioning myself with a lot of expensive gear in tough neighborhoods where drugs and violence rule.

If ever before I needed to shoot and move and act quickly and keep a third eye out for any lurking danger. No time to stress on the importance of the perfection of the visual. I needed to get in close to the action – make sure my audio was being captured sufficiently and get the story. So even though I can tell you that my visual will be beautiful and lacking “noise” in the blacks – I probably would have gotten better and more meaningful coverage with a video camera.

I’m sure there will be plenty of you who will argue that there are journalists embedded in war zones with these cameras. And of course there’s Vincent LaFloret’s brilliant cinematic night films. But for me, I think there are times when I could have reacted faster with a video camera. And so I think – what’s more important – the resolution or the story?

July 26, 2010July 25, 2010

True Convergence With the DSLR Cameras

I read today that mega publishing company Conde Nast “names a new president as company seeks new business model”. http://adage.com/mediaworks/article?article_id=145071

“The historical priorities that have served our company so well — great content, best-in-class magazines, key client relationships – remain the cornerstone of what we do, but we need to move beyond the magazine,” said Mr. Townsend, who remains CEO, in the statement.”

Wow – so one of the biggest publishing companies is realizing that electronic delivery and the internet isn’t an afterthought or an add on to their print pubs. That would have been unheard of just 2 years ago, but with the proliferation of mobile devices, including the iphone, ipad and other “i” devices, we really are seeing a shift in the way we communicate.

Photographers should definitely take notice of this and understand that they need to think differently themselves. Imagery and workflow that worked in the print world just isn’t going to fly in the world of “i” devices. You need to think and see differently when creating for electronic devices that are capable of showcasing still images, video and sound. And it’s no longer sufficient to just regurgitate still imagery for the web or pick up a hybrid camera and switch into live mode and shoot video that will adequately convey a message in motion. It goes beyond the tool – it’s thinking, seeing and anticipating in motion. After 11 years of shooting motion and over 30 years of shooting still images, my mind seamlessly makes the switch a hundred times a day between thinking and seeing in “moments in time” or “time in motion”. It’s a bit analogous to being fluent in a foreign language when you find yourself thinking in the language rather than needing to do the translations anymore in your head.

Many still shooters who are just beginning to shoot video are so consumed with the technical aspects of the tool, they forget that they need to think and shoot differently when shooting video. I see a lot of people moving the camera, rather than letting movement take place in front of the camera. And I see a lot of independent clips shot and then put together in a video timeline, but with no connection to one another or unity in a sequence. Basically, a slide show of video clips – but not a story sequence.

It takes time to get to the point where you think in motion, especially if you’ve been a still shooter for many years. My instincts are now that I know when to pick up the right tool – a video camera or a still camera, rather than choose the tool without meaning to the subject that I will be shooting. I choose the tool that will best communicate the message.

The best advice I can give to still shooters who want to move into video is for them to stop compartmentalizing the two mediums. Don’t define yourself as a videographer or a still shooter that does sports or weddings or commercial work. As print gives way to electronic delivery, our clients need to communicate in a different way and we need to be creative in delivering their message and choose the best tool that will do that. If we can think like that then there is true convergence – not only with our tools but the way we think.

It’s no wonder that publishing houses are hiring shooters with skills entrenched in both mediums. They need creative’s who think differently – not just in moments in time or time in motion, but a true blend that only a hybrid shooter can deliver. That’s my best advice that I can offer to people just starting out as photographers or videographers – don’t separate the two – become a hybrid and learn to communicate creatively with the right tool at the right time.

July 23, 2010

Living in the Now

The last couple days have been eye opening as well as reminders as to why I have embarked on this project www.openingoureyes.net. Maybe I needed a reminder at this point in my life that you only go around once and to make the most of it. And after spending a couple days with Ronni Kahn, CEO of Oz Harvest, I got that reminder and it affirmed in my mind why I took a risk, took on a personal project and took off for 3 months on a journey with my daughter around the world.

But Ronni reminded me how important it is that you really only have the “now” in your life because you don’t know what tomorrow may bring. I remember when I first embraced the notion of living in the “now”. I was 19 years old and hitchhiking around the world. I remember a consistent remark from people who stopped to pick me up and bring me a bit further along on my journey. Many of them said, “I wish I had done what you’re doing when I was your age”. I never lost sight of that and have always lived my life with the thought that if I don’t do “it“ now, I may never get the chance again.

No one really knows what tomorrow will bring – that’s the mystery of life. The best-laid plans are never givens and the surprises and unexpected moments are many times the most rewarding.

Tonight, I had a simple yet memorable dinner with my 23-year-old daughter Erin. As we ate our pizza and had a lovely, inexpensive bottle of wine – we took notice that here we were in Sydney, Australia, overlooking the Sydney Opera House and it all seemed so surreal. But it was real, it a moment in time that we made happen, that we didn’t postpone until the “perfect” time in the future and a time that we will always have and always remember. We were living in the “now” moment.