In a little more than a week, my 99-day journey trekking around the world with my daughter shooting a documentary, Opening Our Eyes will be over. Or will it? My work is really just beginning as I contemplate all we’ve done, people we’ve met and interviewed and how I will put this all together in an edited, finished film.
There are hundreds of ways I can edit this documentary and quite honestly, beginning the process and deciding the direction is always the most difficult. But there will be a moment when the light bulb goes off and the vision will be clear as to how to make sense of it all. Then it becomes easy as the story unfolds – as it should from my heart. It’s the story that can only be told by me and this case, me and my daughter.
My daughter and others have urged me to do a behind-the-scenes DVD
Gail at the Kopila Valley Primary School, Surkhet, Nepal
– she tells me “that’s what people want”, to know more about the making of the film – more about the people behind the film. As much as I agree with her and understand this interest on the part of the viewer, there is also a resistance to make myself part of the documentary. With that said, a separate “behind-the-scenes” chapter could be the solution – to provide more information, without inserting the two of us into the film itself.
One thought does keep popping into my head that motivates me to provide a commentary on the why’s and how’s of this journey and the making of this film. Too many times when I’ve visited museums, I’ve been taken aback by some of the things that I over hear docents talking about in relation to the paintings. They analyze and interpret what the artist meant by his choice of color, brush stroke and placement of objects within the art and how that related to what was going on in his life at that point in time. I often wonder how they know that or even how can they be so sure? Is it documented or is it really just someone’s interpretation that has become fact over the years?
My daughter and I do plan to sit down this week and attempt to do on-camera interviews – while we are still in the moment and before we get back to our normal lives. Here’s where we need your help – tell us what you want to know. Maybe you’re curious about how we survived the dynamic of a mother/daughter team for three plus months. Maybe you want to know why we did this – or how we funded it. Or maybe the questions are even more basic – what did we like? – what was difficult?– any surprises? etc. etc. Perhaps you want to know more about the craft of shooting the doc– and how I went about that. And maybe you don’t really want to know anything at all and just want to know about the subjects of our film.
But please tell me what you’re curious about – as far as the behind-the-scenes making of this film. All questions are welcome – from the seemingly obvious to the more provocative.
I woke up at 4 AM this morning after only a few hours of sleep – my body going through some major jet lag after over 22 hours of flying from Sydney, Australia to New York City via Los Angeles. Yesterday, my full day back, was spent taking care of essentials – like getting my gear to Canon for a full check up and cleaning,
Gear for my first go round.
and a visit to the Apple Genius Bar because my new laptop seems to have a living organism living behind the monitor which shrinks and grows depending on the climate I’m in, and of course taking care of my own personal needs.
As I lay awake in the pre-dawn hours, my mind was spinning with thoughts on what I had to get done before heading to South America on Saturday for the second leg of our documentary Opening Our Eyes. I have only 4 days to recuperate, rest up and gear up for the next leg. The bad part is, I’ve only got 4 days – the good part is, I have those 4 days, and can approach the second leg of this journey with the advantage of having a fresh experience in the field to draw from and make some changes in terms of gear I’m taking on the next leg. More importantly, because my turn around is short, I’m able to stay focused and remain in the mindset of the project.
So as I go over the gear that I brought on my first leg with lessons learned in my head and prepare for the next stint, I’ll share my thoughts with you:
• A good tripod is critical – if you don’t have a decent tripod for video, you can’t get fluid movement, so don’t even try. A locked down shot is better than a jerky shot in motion. I needed to travel light with all the flights that I faced, so I went for a carbon tripod with a fluid head that would fit in a suitcase to eliminate the need for another check on bag. So, for this next leg, I’m seriously thinking of taking my larger tripod because I don’t have as many flights where excess baggage charges could mount up.
• You can never have enough batteries when shooting with a DSLR workflow and by that I mean everything from the camera batteries (and buy lots of them if you can find them for the Canon 5D and 7D) to the expendables for the DT454 JuicedLink audio preamp, which takes 9 volts to the Samson H4N Zoom which takes AA’s. By the way, speaking of batteries, don’t make the mistake I made once by not powering the H4N Zoom off before changing the batteries. The manual mentions that by doing so, files can get corrupted. A couple of my audio files did get corrupted – the information was there, but it couldn’t be read.
• I’m leaving my over priced Nikon to Canon lens converter, along with my old Nikon glass at home – I never used them – never felt the need for what I was shooting.
• I want to get more attachments for my GoPro Hero Cam because there are so many ways to use this camera – it’s amazing and I’m having a ball thinking of all the possibilities in how I can use it. The Hero cam will always be part of my gear kit.
• Always check what audio cords you’ll be needing. I embarrassed to say that I carried around my wireless kit but couldn’t use it with the Zoom because I needed a mini to male XLR cord and didn’t have it.
• Take 10-20% more memory storage than you think you will need when you’re shooting video. Video is a memory glut. I had been warned by some people that the Lacie Rugged hard drives that I were taking with me, didn’t have a very good track record – but as I write this, my content backups from my Lacie Rugged drives ( over 2000 gigabytes (doubled) ) are transferring to my desktop OWC terabyte drives and seem to be fine so the Lacies did their job. However, they are bulky and I’m going to be getting a couple of 500 gig drives that are more compact. Any suggestions for compact firewire external drives?
• Wish I bought the follow focus with my Zacuto rig. It’s expensive but would have been a real added bonus for visually highlighting one of the beauties of these cameras – the depth of field range that they have.
• Also wish I had a portable dolly like the Indislider but just couldn’t fit it in this trip. As it was, there were some items that I didn’t need to take and will be leaving behind this next leg.
• Wish I brought more mini tools – screwdrivers, allan wrenches etc.
• My Blackberry Tour Verizon phone blew me away. Even when I was in the northern hill tribe villages of Thailand, staying in a bamboo hut without electricity and plumbing – I was able to get my email on my phone! I’m impressed Verizon – I really am. Finding electricity to charge my phone was another matter.
• I could not have survived the 30 flights circling around the world i if I didn’t have my iPod. Thanks Apple.
Feel free to comment and share your thoughts of what has or hasn’t worked for you in the field and you can save me from making potential mistakes as I take on my next leg of this Journey August 7th. We are first headed to the Amazon area of Peru and then down to Buenos Aires, Argentina – again two diverse areas in terms of culture and climate.
In my laziness and urge to get outside and make the most of my last two days in Sydney, Australia, I am cross posting a post that was on my Opening Our Eyes blog – so forgive me if you follow me there.
Yesterday, I uploaded this photo on my Facebook statusSir Richard Branson, Damien, Captain Paul Moulds at Oasis in Sydney, Australia. It got noticed as “celebrity” always does and one person remarked “hanging with the superstars”. I commented back saying that they were all “superstars”. Certainly, Captain Paul Moulds for the work that we devotes himself to with Oasis and reaching out to homeless youth in Australia and Sir Richard Branson for his generous support and making it possible.
But perhaps the biggest “superstar” is Damien, the young man in the middle who turned his life around from being on the streets with barely any hopes and dreams at all to having a job, a place to live and a bright future.
I was attending an event yesterday at Oasis where Branson was cutting the ribbon on the opening of a fitness center that his company Virgin had funded. But prior to the opening of the center, Branson and others listened to the stories of the “champions”, young people like Damien who against all odds, had redirected their lives to a better future. The stories were difficult to hear – stories about being abused – physically, sexually and emotionally. Stories about wanting to die and the attempts that they made on their lives because they felt unwanted and that they had no purpose.
I can’t even begin to really understand the horrors that these kids have faced in their young lives. I can’t even imagine how difficult it was for them to tell their stories, and yet they did so with grace, dignity and compassion for one another. They were there for each other and to show their gratitude to people like Paul Moulds and Richard Branson who make places like Oasis possible. One young man said – “without Oasis, I’d be dead”.
I will never forget that morning and it went far and beyond the thrill of meeting Sir Richard Branson and eating an egg sandwich that he had cooked on the grill. The most important thing I walked away from was being around a group of people with a like-minded purpose. A purpose of doing whatever they can to make a difference – a positive difference in the world. I could see, hear and feel the impact that Moulds and Branson had made in these young people’s lives. It was tangible and real – not just words on the pages of a foundation’s annual report.
As we wind up our time in Australia and head home for a few days break before heading down to South America, I am energized by something that Paul had mentioned during his interview. He was talking about an amazing documentary that was made about Oasis and the issues facing homeless youth in Australia. The documentary was two years in the making and gave an up close look into life on the street for these young people. Paul told me that after the documentary aired on Australian TV, the response and support that followed was astounding. It had made a real impact and prompted people into action – to help with donations or wanting to volunteer.
So I’m energized going forward that our little film will also create awareness and prompt others into action and what they can do to make a positive difference in the world. It’s a simple yet powerful thought and full of possibility – the power that’s within all of us to create change and make the world a better place for those that are less fortunate. The power of possibility – think about it.
After two solid months of intensive shooting a documentary – shooting both stills and video with two DSLR cameras, the Canon 5D Mark II and 7D, I can honestly say working with these hybrids is not easy. And it certainly isn’t fast, especially if you are working in a small crew as we are.
Yes, the visual is stunning but I can’t help but think how many moments I may have missed that I probably would have gotten if I had been shooting with a video camera. When shooting motion, I have a constant mantra running through my head and that is “shoot and move”. That’s because you need a lot of footage at the end of the day and you need to edit your film. I’m not talking about working with a neatly storyboarded script and a Hollywood crew. I’m talking about working lean and mean and in a somewhat discreet way that is in order when shooting a documentary.
That really hit me last night while shooting on the streets of Sydney, Australia. My subject that I’m focusing on here is Paul Moulds from Oasis, which is a youth support network dealing with homeless street kids. I needed to hit the streets at night and knew that I not only had to be sensitive to the situations that I’d be shooting but also alert to the dangers. I’m positioning myself with a lot of expensive gear in tough neighborhoods where drugs and violence rule.
If ever before I needed to shoot and move and act quickly and keep a third eye out for any lurking danger. No time to stress on the importance of the perfection of the visual. I needed to get in close to the action – make sure my audio was being captured sufficiently and get the story. So even though I can tell you that my visual will be beautiful and lacking “noise” in the blacks – I probably would have gotten better and more meaningful coverage with a video camera.
I’m sure there will be plenty of you who will argue that there are journalists embedded in war zones with these cameras. And of course there’s Vincent LaFloret’s brilliant cinematic night films. But for me, I think there are times when I could have reacted faster with a video camera. And so I think – what’s more important – the resolution or the story?
The last couple days have been eye opening as well as reminders as to why I have embarked on this project www.openingoureyes.net. Maybe I needed a reminder at this point in my life that you only go around once and to make the most of it. And after spending a couple days with Ronni Kahn, CEO of Oz Harvest, I got that reminder and it affirmed in my mind why I took a risk, took on a personal project and took off for 3 months on a journey with my daughter around the world.
But Ronni reminded me how important it is that you really only have the “now” in your life because you don’t know what tomorrow may bring. I remember when I first embraced the notion of living in the “now”. I was 19 years old and hitchhiking around the world. I remember a consistent remark from people who stopped to pick me up and bring me a bit further along on my journey. Many of them said, “I wish I had done what you’re doing when I was your age”. I never lost sight of that and have always lived my life with the thought that if I don’t do “it“ now, I may never get the chance again.
No one really knows what tomorrow will bring – that’s the mystery of life. The best-laid plans are never givens and the surprises and unexpected moments are many times the most rewarding.
Tonight, I had a simple yet memorable dinner with my 23-year-old daughter Erin. As we ate our pizza and had a lovely, inexpensive bottle of wine – we took notice that here we were in Sydney, Australia, overlooking the Sydney Opera House and it all seemed so surreal. But it was real, it a moment in time that we made happen, that we didn’t postpone until the “perfect” time in the future and a time that we will always have and always remember. We were living in the “now” moment.
Today was one of those days that are memorable and just make you feel good to be alive and affirm your life’s convictions. Even though I “worked” today – on my birthday – I realized once again that my “work” has never really felt like work at all, but rather a gift.
Once again, because I am a storyteller and a visual communicator by profession and have the great fortune to have been able to make a living doing so, I had the privilege of spending the afternoon with a remarkable woman. Her name is Ronni Kahn, CEO (Chief Energy Officer as she would say) and founder of Oz Harvest, a food rescue program in Sydney, Australia. What Ronni does is quite simple – yet far reaching. She has set up an organization that picks up food from events, parties, affairs etc. that would have normally been thrown away, and sends it over to various charities that feed the needy.
But one of the many remarkable things that Ronni has done was to use her connections and passion to change the law so that people and organizations who were willing to give away their perishable and left over food, could do so without fear of being sued or liable in the process of doing a good deed. Ronni made it happen because she saw the big picture and overcame the obstacles in the way.
We spent the afternoon with Ronni, first touring around the lovely coastal areas of Sydney, then filming her inspirational interview and ended the afternoon at the beach. One thing stuck with me that Ronni said during the interview. She told me that many people tell her that they would love to get involved and do something along the lines that she has done but that it just wasn’t the right time in their lives and then proceed to give her a variety of reasons of why they can’t. And then she said “if you want to do something – you just need to do it”. You need to stop making excuses and live in the “now”.
As I write this blog entry, her words are kicking around in my head and I realize how grateful I am that I am living in the “now” and doing what I feel I need to do. And that is the best birthday gift of all – nothing can ever top that.
It’s been only 5 months since I stood on top of a 10 foot frozen wave of Lake Superior in the Upper Peninsula of Michigan. Seems like a lifetime ago. I couldn’t be further from that wave, both literally and figuratively speaking.
Lake Superior, Upper Peninsula, Michigan
As I stood on the crest of that frozen wave, in utter silence with no one in sight for miles, I reflected on the human spirit in this remote part of the world. The sun was setting and I was fearful of slipping into a crevice but yet drawn to the glow of the setting sun – feeling hopeful for the future.
I am in Jaipur, India right now with the temperatures nearing the 100 mark and the humidity level the same. But it seems hotter because everything here in India seems intensified on every level. I’ve been on the road for close to 2 months now and have traversed a variety of climates, cultures, joys and heartbreaks. It’s been easy, hard and everything in between.
In creating this documentary “Opening Our Eyes” I have challenged myself in every way I know how. Just shooting a documentary with an HDSLR system, on a slim budget and with a two-person crew is a feat in itself. But this documentary is taking us around the world and putting us in touch with the less fortunate of our planet. It’s humbling, heartbreaking, exhausting, yet somehow a boost to my inner spirit – that same spirit I wrote about back in February when isolated and alone on that 10 ft. frozen wave.
How I crave those frigid temperatures and the utter silence of tranquility. Space is a luxury in India with billions of people competing for it. Such an intriguing culture but one that is beyond demanding of all that a body and soul has to give. I draw on my inner strength and my people that came before me who taught me well about struggles and endurance as well as compassion for those who are less fortunate.
My eyes have been opened these past two months in so many ways and so I think unknowingly I chose the perfect title for this film. To experience and see the extremes of the human condition across the globe has broadened my perspective and put things into balance. What seemed so important just a few months ago, seems so trivial today.
And so it goes as I complete this journey in a few months time. Off to another climate and culture with my eyes opening wider as I go along.
Technically, I began working on my latest documentary, “Opening Our Eyes” about 7 months ago when the idea came to me. I had just seen Robert Frank’s show “The Americans” at the Met in New York City with a friend of mine and I commented to him that I was really yearning to get back to my beginnings and take a visual road trip.
Even though I had spent a lifetime traveling and shooting assignments for editorial and corporate clients, I never lost sight of my passion to explore with my camera.
Gail at Red Square, Moscow
In the beginning, my explorations were through the lens of my still camera but when I started shooting motion about ten years ago, my tool of choice became a video camera and with that came self assigned documentaries.
It had been two years since my last passion project “Freedom Riders” and I was itching to start another. My daughter had just graduated from college, I was an emptynester and pretty much free to do as I pleased. I had accumulated over 300,000 airline miles, thousands of hotel award points and another 300,000 plus American Express points. I didn’t know what I was saving them for but it seemed like a good time to use them. So, I made a decision to take a trip around the world. I felt like I still had the energy and stamina to take on such a journey but something was missing – I needed a purpose.
The Idea
I have always been interested in the “common man” as opposed to the celebrity and the simple story that resonates in a viral way. I’m intrigued by people who go up against all odds, to right a wrong or fight for a cause and never give up. I usually side with the underdogs and am inspired by the Cinderella stories. And so after that day at the Met, an idea was born and that was to shine a spotlight on 6 people on 6 different continents who were making a positive difference in the world because it was their calling to do so.
Of course coming up with an idea is the easy part and many times those great ideas seem to drift away with time as one gets caught up in daily work and life. But this idea wasn’t going away – I knew it was the right time for me to bring these stories to life. My goal was to create individual videos about each of these people that would combine together as a feature documentary. My hope was that the film would not only create awareness of my subjects’ efforts, but also motivate others to create change.
The Pre-Production and Facilitation
Next came the hard part – making it a reality and the first step was figuring out how I would fund it. After working on 2 other self-assigned passion projects, I knew one thing and that is that it’s really hard to sell an idea. When I was in the planning stages of The Delta Bluesmen, I spent a lot of time applying for grant money and seeking funds from a variety of sources to no avail. I finally got frustrated and decided to self fund the project even though it meant taking it a bit slower and doing more of the work myself. My critics thought I was crazy to tackle a short film by myself and self fund it but I stuck to it and created a piece I’m proud of and which has brought many rewards to my life. So with that experience behind me, I took another leap of faith on my latest project and started the planning process. But perhaps most importantly, I focused on the fact that the positive aspects of working on a self-funded project is that it would be the way I wanted it to be – not compromised for the wrong reasons.
My first order of business was to send out a query to everyone I knew as well as use social media to find my subjects. My first subject was a given – a local young woman my daughter went to high school with, Maggie Doyne,
Maggie and some of her children
who opted not to trek off to college after high school. Instead she wound up in Nepal and built a home for orphaned children. She’s 23 years old now, has 30 children in her home and is in the process of building a school. Then my daughter Erin, expressed interest in working on this project with me. She knew she’s need to leave quit her job, sublet her apartment and say goodbye to her boyfriend for 3 months – but she wanted to be part of it. And so we became a duo and with that the project really took off with her support and help.
Since the project was self-funded, I had to be extremely creative with the budget – or lack thereof. So after nailing down our subjects across the globe, we started to plan the logistics –airline tickets, hotel rooms, visas, vaccinations and of course equipment needs. From January to May, I spent countless hours booking reward tickets with 14 airlines for 29 flights – a round the world itinerary with extra local hops thrown in. I’ve arranged for 99 nights of accommodations, staying with friends, friend of friends, using reward points, paying for budget hotels and bartering for other rooms. I had to bite the bullet and pay large sums for our vaccinations and visas and budget for our meals. Most importantly, I needed to purchase new gear because my intent was to shoot this project with the HDSLR cameras. I knew I wanted to shoot stills and video and also knew that I had to travel lean and mean so this seemed like the best solution. You can read more about the gear here.
The Execution
We are about one third through the shoot and have worked on 3 continents. The scheduling has turned out to be brilliant – we work hard and exhaust ourselves for chunks of time – anywhere from a week to ten days and then have a few days to recoup, catch up on sleep, write in our blogs, or just sightsee and take some still snapshots along the way. We’ve had a couple mother/daughter disagreements but for the most part we are having the time of our life and seeing the world. At this point we sometimes forget which currency we are using or what the exchange rate is or what our room number is but in the process of creating a film, we have built a lifetime of memories.
We have also created an audience who tune into our project blog religiously and follow our journeyas we go along. But something remarkable is happening and that is evident in the comments we are getting. We are opening people’s eyes though our travels and our writings. We have connected our audience with our subjects and their endeavors and are building a global community. It has been truly inspirational meeting and working with our subjects and there are days that my heart is full to bursting and confirms my belief in this project.
Post-Production
When we return in September, my first priority will be to edit the videos that I promised in barter arrangements. And hopefully at the end of the month, I will begin the edit. It will most likely take me a month just to log and transcode the footage and sync the audio in the situations where it was captured independently. I’m confident in my editing abilities but I would love to work with a pro. So if there is a pro out there reading this who would love to get involved in a fabulous documentary – I’d love to hear from you.
Distribution
Not really thinking about this part right now other than to use social media and perhaps itunes and Amazon to distribute it. But I have faith in this project and something tells me that this will take on a life of its own. It’s a feel good story and we’ve already gotten a lot of support and interest.
At any rate it’s the trip of a lifetime and I’m taking it with my daughter so I’ve already been blessed.
I am about a third of the way through my 3-month round the world trip working on a personal project and documentary, Opening Our Eyes. I’m holding up pretty well – better than I thought actually. After all, it’s a whole lot different putting myself to this test this time, more than 35 years after my first adventure around the world. Besides being older, I’m carrying a lot more expensive photo and video gear with me and I have a job to do. Yes, it’s a personal project and not an assigned job, but for someone like me, I take it with the same commitment and responsibility that I would if I was shooting for a client. In fact, if anything I have a more vested interest and push myself harder. But I’m not alone, I’m traveling and working with my 23 year old daughter Erin
Erin wearing a GoPro Helmet Cam at Spice Bazaar in Istanbul
and having her along has made all the difference in the Without her, this project would have been much different and harder on me. Besides being attentive to the travel logistics with the multitude of flights we need to make, the hotels we need to arrange and find once we arrive at our destinations and coordinating our subjects all over the globe, we need to be constantly attentive to our security and safety. When traveling with photo equipment – and a lot of it – my daughter and I must be forever diligent and aware of our surroundings. I’m fortunate that my daughter is along for this trip because we watch each other’s backs, especially when shooting in bazaars or traveling on public transportation.
Many days I feel like I have two jobs to do – one being that of a creative and making sure I get the images and video that I need for our project and the other being that of a travel agent. Fortunately for me, I’ve been facilitating my own travel arrangements as long as I can remember and I’m good at it. I’ve also built up a kind of sixth sense and I’m streetwise which seems to keep us out of trouble and harm’s way. I sense danger and go the other direction.
We’ve managed to keep a balance of down time and project time, leaving a little room for error because not everything goes according to plan. Plus, travel does take its toll and some days we just need to give into our bodies telling us to take time out. When I’ve finished this sojourn, I could write a book – in fact I could probably write a couple of books – on travel – on passion projects or on shooting a documentary with HDSLR’s. Maybe I will after I get the postproduction done on this project. Or maybe I’ll just take a vacation – at home.
I’m sitting on the rooftop of my small hotel in Istanbul on a glorious morning. In front of me is the Blue Mosque,
Blue Mosque
behind me Hagia Sophia
Hagia Sophia
and to the left the Bosphorus Strait. I’m feeling blessed that I can experience these sights in my lifetime and even more fortunate that I can see them with my daughter Erin.
From the rooftop of our hotel.
We are about 1/3 through our journey of circling the globe creating a documentary on people who are making a positive change in the world – Opening Our Eyes. Just like at home, I relish the quiet peace of the early mornings when I take time to reflect on what’s ahead in my day or write down the random thoughts that pulse through my mind. The mornings are my time and even in the hustle and bustle of moving from one destination to the next, I try to take this time for myself.
As I look across other rooftop gardens and watch as people start their day, I’m thinking about my first travels and how so different it was back in the early 1970’s to stay in touch with people back home. There was no Internet, nor cell phones and making a call required investing some time in a telephone exchange office until they placed your overseas call and directed you to a booth. Because it was so costly, you crossed your fingers that someone would be home or that you wouldn’t get a busy signal – no answering machines back then. And if you were so fortunate to connect , you made every word and minute count and talked rapidly. Every once in awhile I would get a letter from home that was either sent to the local American Express office or to General Post. It still amazes me that I got anything in the mail back then and somewhere in my boxes of memorabilia are those precious letters waiting to be discovered some rainy day.
Nowadays it seems that one is always connected. Even when I’ve been in somewhat remote spots without Wifi or wired connection, my global phone has worked and I’ve gotten emails. It’s great to be able to stay connected and with that comes a sense of security. But it’s also easy to be too connected and miss some of the nuances of the culture you are in. Like everything there is a fine balance.
Many people asked me how I was going to be able to keep in touch with clients when I was gone and wasn’t I worried that being away for a 3-month period would be detrimental to my business. I’m very fortunate that I have a partner and husband Tom who is holding down the fort while I’m gone – paying the bills, servicing our clients, marketing and everything else that goes into keeping a business alive in a struggling economy. I’m also taking full advantage of the time we live in and the ease of staying connected through emails and blogs. Not only am I able to stay in touch with clients, I am keeping them abreast of my project and building a larger audience and presence in the process.
It’s an amazing time we live in and having grown up when I did, I take none of this for granted. I’m going to sign off for now and take myself offline to connect with the place I’m in – the people, the culture, the landmarks – the sights, the smells and the sounds. Thanks for listening and more importantly for all your thoughts, comments, Facebook posts and emails and keeping me connected
Journeys of a Hybrid 