Travel – Page 8 – Journeys of a Hybrid

August 23, 2010

Behind the Scenes DVD – or Not?

In a little more than a week, my 99-day journey trekking around the world with my daughter shooting a documentary, Opening Our Eyes will be over. Or will it? My work is really just beginning as I contemplate all we’ve done, people we’ve met and interviewed and how I will put this all together in an edited, finished film.

There are hundreds of ways I can edit this documentary and quite honestly, beginning the process and deciding the direction is always the most difficult. But there will be a moment when the light bulb goes off and the vision will be clear as to how to make sense of it all. Then it becomes easy as the story unfolds – as it should from my heart. It’s the story that can only be told by me and this case, me and my daughter.

My daughter and others have urged me to do a behind-the-scenes DVD

Gail Mooney showing kids her video shot at Kopila Valley Childre — Gail at the Kopila Valley Primary School, Surkhet, Nepal

– she tells me “that’s what people want”, to know more about the making of the film – more about the people behind the film. As much as I agree with her and understand this interest on the part of the viewer, there is also a resistance to make myself part of the documentary. With that said, a separate “behind-the-scenes” chapter could be the solution – to provide more information, without inserting the two of us into the film itself.

One thought does keep popping into my head that motivates me to provide a commentary on the why’s and how’s of this journey and the making of this film. Too many times when I’ve visited museums, I’ve been taken aback by some of the things that I over hear docents talking about in relation to the paintings. They analyze and interpret what the artist meant by his choice of color, brush stroke and placement of objects within the art and how that related to what was going on in his life at that point in time. I often wonder how they know that or even how can they be so sure? Is it documented or is it really just someone’s interpretation that has become fact over the years?

My daughter and I do plan to sit down this week and attempt to do on-camera interviews – while we are still in the moment and before we get back to our normal lives. Here’s where we need your help – tell us what you want to know. Maybe you’re curious about how we survived the dynamic of a mother/daughter team for three plus months. Maybe you want to know why we did this – or how we funded it. Or maybe the questions are even more basic – what did we like? – what was difficult?– any surprises? etc. etc. Perhaps you want to know more about the craft of shooting the doc– and how I went about that. And maybe you don’t really want to know anything at all and just want to know about the subjects of our film.

But please tell me what you’re curious about – as far as the behind-the-scenes making of this film. All questions are welcome – from the seemingly obvious to the more provocative.

August 18, 2010August 18, 2010

What Makes a Successful Photographer?

I woke up this morning before dawn, not able to sleep anymore and my mind spinning with random thoughts about where I’ve been and where I’m going. I’m in Iquitos, Peru right now, the last major outpost before the real jungle begins along the Amazon River.

Gail_MG_1137 — Gail on the Amazon River, Peru

I had just spent a week visiting the jungle villages along the river as part of my documentary, Opening Our Eyes.

As I lay in bed, I thought about a recent conversation I had with someone about what it means to be a success. This person had made a comment to me that I must be a very successful photographer. This is not the first time that someone has made that remark and it always takes me by surprise and makes me think about the meaning of that word “success”.

I think that in this lukewarm economy and with the incredible changes that have affected the profession of photography (and print), I would have to say that a successful photographer is one who doesn’t need another job to support themselves. That they are able to make a living shooting photographs (or video).
But how does one achieve that, if that defines success?

Personally, I think that with any creative and competitive field, you have to be passionate about it and have the desire to pursue it no matter what. In other words you have to want to pick up a camera and take photographs without someone paying you or “validating” you in some way to do it. If you think about it from a buyer’s standpoint – why would they want to hire someone who isn’t passionate about it? So shoot and shoot for yourself – always have a personal project you’re doing.

So the question – how do you find the passion or keep it begs to be asked. There isn’t one answer to this question because it’s different for each of us but for me I need to be involved with other things besides photography to keep my interest in photography alive. I need to get beyond the science of photography and even the art. I’m interested in music, cooking, sewing, film, looking at impressionist paintings, taking walks in the woods and even people watching in New York City. I do all of these things and more to recharge myself and keep my passion alive for what I’m doing.

Photography is a visual means of communication. If you don’t have anything to say because you’ve just consumed yourself with the technical aspects of photography, then how will you be able to deliver a visual message – whether it be for a magazine or an annual report or even an advertisement.

Lastly, photography is something that you have to “do” to get better at it. You can’t just read about it in a book – you have to shoot – practice – perform. That is why shooting for yourself is imperative. If it’s been two months since you’ve picked up a camera and you head out to shoot a job – you do a disservice to your client. I don’t care how long you’ve been in business.

Here is how others have defined success:

“Successful people are simply those with successful habits”
Brian Tracy

“Your net worth to the world is usually determined by what remains after your bad habits are subtracted from your good ones”
Benjamin Franklin

“Practice means to perform over and over again in the face of all obstacles, some act of vision, of faith, of desire. Practice is a means of inviting the perfection desired.”
Martha Graham

So, am I a successful photographer? Perhaps – but there are photographers way more successful than me. But I am determined and I definitely have the desire and there is always something that I still want to achieve.

August 4, 2010August 4, 2010

HDSLR in the Field – Recap of The First 70 Days of 99 Day Project Around the World (Tales of an Insomniac)

I woke up at 4 AM this morning after only a few hours of sleep – my body going through some major jet lag after over 22 hours of flying from Sydney, Australia to New York City via Los Angeles. Yesterday, my full day back, was spent taking care of essentials – like getting my gear to Canon for a full check up and cleaning,

and a visit to the Apple Genius Bar because my new laptop seems to have a living organism living behind the monitor which shrinks and grows depending on the climate I’m in, and of course taking care of my own personal needs.

As I lay awake in the pre-dawn hours, my mind was spinning with thoughts on what I had to get done before heading to South America on Saturday for the second leg of our documentary Opening Our Eyes. I have only 4 days to recuperate, rest up and gear up for the next leg. The bad part is, I’ve only got 4 days – the good part is, I have those 4 days, and can approach the second leg of this journey with the advantage of having a fresh experience in the field to draw from and make some changes in terms of gear I’m taking on the next leg. More importantly, because my turn around is short, I’m able to stay focused and remain in the mindset of the project.

So as I go over the gear that I brought on my first leg with lessons learned in my head and prepare for the next stint, I’ll share my thoughts with you:

• A good tripod is critical – if you don’t have a decent tripod for video, you can’t get fluid movement, so don’t even try. A locked down shot is better than a jerky shot in motion. I needed to travel light with all the flights that I faced, so I went for a carbon tripod with a fluid head that would fit in a suitcase to eliminate the need for another check on bag. So, for this next leg, I’m seriously thinking of taking my larger tripod because I don’t have as many flights where excess baggage charges could mount up.

• You can never have enough batteries when shooting with a DSLR workflow and by that I mean everything from the camera batteries (and buy lots of them if you can find them for the Canon 5D and 7D) to the expendables for the DT454 JuicedLink audio preamp, which takes 9 volts to the Samson H4N Zoom which takes AA’s. By the way, speaking of batteries, don’t make the mistake I made once by not powering the H4N Zoom off before changing the batteries. The manual mentions that by doing so, files can get corrupted. A couple of my audio files did get corrupted – the information was there, but it couldn’t be read.

• I’m leaving my over priced Nikon to Canon lens converter, along with my old Nikon glass at home – I never used them – never felt the need for what I was shooting.

• Can’t wait to edit my timelapse material that I shot using the Canon 7D camera and the Canon timer remote controller TC-80N3.

• I want to get more attachments for my GoPro Hero Cam because there are so many ways to use this camera – it’s amazing and I’m having a ball thinking of all the possibilities in how I can use it. The Hero cam will always be part of my gear kit.

• Always check what audio cords you’ll be needing. I embarrassed to say that I carried around my wireless kit but couldn’t use it with the Zoom because I needed a mini to male XLR cord and didn’t have it.

• Take 10-20% more memory storage than you think you will need when you’re shooting video. Video is a memory glut. I had been warned by some people that the Lacie Rugged hard drives that I were taking with me, didn’t have a very good track record – but as I write this, my content backups from my Lacie Rugged drives ( over 2000 gigabytes (doubled) ) are transferring to my desktop OWC terabyte drives and seem to be fine so the Lacies did their job. However, they are bulky and I’m going to be getting a couple of 500 gig drives that are more compact. Any suggestions for compact firewire external drives?

• Wish I bought the follow focus with my Zacuto rig. It’s expensive but would have been a real added bonus for visually highlighting one of the beauties of these cameras – the depth of field range that they have.

• Also wish I had a portable dolly like the Indislider but just couldn’t fit it in this trip. As it was, there were some items that I didn’t need to take and will be leaving behind this next leg.

• Wish I brought more mini tools – screwdrivers, allan wrenches etc.

• My Blackberry Tour Verizon phone blew me away. Even when I was in the northern hill tribe villages of Thailand, staying in a bamboo hut without electricity and plumbing – I was able to get my email on my phone! I’m impressed Verizon – I really am. Finding electricity to charge my phone was another matter.

• I could not have survived the 30 flights circling around the world i if I didn’t have my iPod. Thanks Apple.

Feel free to comment and share your thoughts of what has or hasn’t worked for you in the field and you can save me from making potential mistakes as I take on my next leg of this Journey August 7th. We are first headed to the Amazon area of Peru and then down to Buenos Aires, Argentina – again two diverse areas in terms of culture and climate.

July 30, 2010July 30, 2010

The Power of Possibility

In my laziness and urge to get outside and make the most of my last two days in Sydney, Australia, I am cross posting a post that was on my Opening Our Eyes blog – so forgive me if you follow me there.

Yesterday, I uploaded this photo on my Facebook status

Sydney-6039 copy — Sir Richard Branson, Damien, Captain Paul Moulds at Oasis in Sydney, Australia

. It got noticed as “celebrity” always does and one person remarked “hanging with the superstars”. I commented back saying that they were all “superstars”. Certainly, Captain Paul Moulds for the work that we devotes himself to with Oasis and reaching out to homeless youth in Australia and Sir Richard Branson for his generous support and making it possible.

But perhaps the biggest “superstar” is Damien, the young man in the middle who turned his life around from being on the streets with barely any hopes and dreams at all to having a job, a place to live and a bright future.

I was attending an event yesterday at Oasis where Branson was cutting the ribbon on the opening of a fitness center that his company Virgin had funded. But prior to the opening of the center, Branson and others listened to the stories of the “champions”, young people like Damien who against all odds, had redirected their lives to a better future. The stories were difficult to hear – stories about being abused – physically, sexually and emotionally. Stories about wanting to die and the attempts that they made on their lives because they felt unwanted and that they had no purpose.

I can’t even begin to really understand the horrors that these kids have faced in their young lives. I can’t even imagine how difficult it was for them to tell their stories, and yet they did so with grace, dignity and compassion for one another. They were there for each other and to show their gratitude to people like Paul Moulds and Richard Branson who make places like Oasis possible. One young man said – “without Oasis, I’d be dead”.

I will never forget that morning and it went far and beyond the thrill of meeting Sir Richard Branson and eating an egg sandwich that he had cooked on the grill. The most important thing I walked away from was being around a group of people with a like-minded purpose. A purpose of doing whatever they can to make a difference – a positive difference in the world. I could see, hear and feel the impact that Moulds and Branson had made in these young people’s lives. It was tangible and real – not just words on the pages of a foundation’s annual report.

As we wind up our time in Australia and head home for a few days break before heading down to South America, I am energized by something that Paul had mentioned during his interview. He was talking about an amazing documentary that was made about Oasis and the issues facing homeless youth in Australia. The documentary was two years in the making and gave an up close look into life on the street for these young people. Paul told me that after the documentary aired on Australian TV, the response and support that followed was astounding. It had made a real impact and prompted people into action – to help with donations or wanting to volunteer.

So I’m energized going forward that our little film will also create awareness and prompt others into action and what they can do to make a positive difference in the world. It’s a simple yet powerful thought and full of possibility – the power that’s within all of us to create change and make the world a better place for those that are less fortunate. The power of possibility – think about it.

July 28, 2010July 28, 2010

The Hard Part About Working With DSLR’s

After two solid months of intensive shooting a documentary – shooting both stills and video with two DSLR cameras, the Canon 5D Mark II and 7D, I can honestly say working with these hybrids is not easy. And it certainly isn’t fast, especially if you are working in a small crew as we are.

Yes, the visual is stunning but I can’t help but think how many moments I may have missed that I probably would have gotten if I had been shooting with a video camera. When shooting motion, I have a constant mantra running through my head and that is “shoot and move”. That’s because you need a lot of footage at the end of the day and you need to edit your film. I’m not talking about working with a neatly storyboarded script and a Hollywood crew. I’m talking about working lean and mean and in a somewhat discreet way that is in order when shooting a documentary.

That really hit me last night while shooting on the streets of Sydney, Australia. My subject that I’m focusing on here is Paul Moulds from Oasis, which is a youth support network dealing with homeless street kids. I needed to hit the streets at night and knew that I not only had to be sensitive to the situations that I’d be shooting but also alert to the dangers. I’m positioning myself with a lot of expensive gear in tough neighborhoods where drugs and violence rule.

If ever before I needed to shoot and move and act quickly and keep a third eye out for any lurking danger. No time to stress on the importance of the perfection of the visual. I needed to get in close to the action – make sure my audio was being captured sufficiently and get the story. So even though I can tell you that my visual will be beautiful and lacking “noise” in the blacks – I probably would have gotten better and more meaningful coverage with a video camera.

I’m sure there will be plenty of you who will argue that there are journalists embedded in war zones with these cameras. And of course there’s Vincent LaFloret’s brilliant cinematic night films. But for me, I think there are times when I could have reacted faster with a video camera. And so I think – what’s more important – the resolution or the story?

July 23, 2010

Living in the Now

The last couple days have been eye opening as well as reminders as to why I have embarked on this project www.openingoureyes.net. Maybe I needed a reminder at this point in my life that you only go around once and to make the most of it. And after spending a couple days with Ronni Kahn, CEO of Oz Harvest, I got that reminder and it affirmed in my mind why I took a risk, took on a personal project and took off for 3 months on a journey with my daughter around the world.

But Ronni reminded me how important it is that you really only have the “now” in your life because you don’t know what tomorrow may bring. I remember when I first embraced the notion of living in the “now”. I was 19 years old and hitchhiking around the world. I remember a consistent remark from people who stopped to pick me up and bring me a bit further along on my journey. Many of them said, “I wish I had done what you’re doing when I was your age”. I never lost sight of that and have always lived my life with the thought that if I don’t do “it“ now, I may never get the chance again.

No one really knows what tomorrow will bring – that’s the mystery of life. The best-laid plans are never givens and the surprises and unexpected moments are many times the most rewarding.

Tonight, I had a simple yet memorable dinner with my 23-year-old daughter Erin. As we ate our pizza and had a lovely, inexpensive bottle of wine – we took notice that here we were in Sydney, Australia, overlooking the Sydney Opera House and it all seemed so surreal. But it was real, it a moment in time that we made happen, that we didn’t postpone until the “perfect” time in the future and a time that we will always have and always remember. We were living in the “now” moment.

July 21, 2010

A Birthday Gift

Today was one of those days that are memorable and just make you feel good to be alive and affirm your life’s convictions. Even though I “worked” today – on my birthday – I realized once again that my “work” has never really felt like work at all, but rather a gift.

Once again, because I am a storyteller and a visual communicator by profession and have the great fortune to have been able to make a living doing so, I had the privilege of spending the afternoon with a remarkable woman. Her name is Ronni Kahn, CEO (Chief Energy Officer as she would say) and founder of Oz Harvest, a food rescue program in Sydney, Australia. What Ronni does is quite simple – yet far reaching. She has set up an organization that picks up food from events, parties, affairs etc. that would have normally been thrown away, and sends it over to various charities that feed the needy.

But one of the many remarkable things that Ronni has done was to use her connections and passion to change the law so that people and organizations who were willing to give away their perishable and left over food, could do so without fear of being sued or liable in the process of doing a good deed. Ronni made it happen because she saw the big picture and overcame the obstacles in the way.

We spent the afternoon with Ronni, first touring around the lovely coastal areas of Sydney, then filming her inspirational interview and ended the afternoon at the beach. One thing stuck with me that Ronni said during the interview. She told me that many people tell her that they would love to get involved and do something along the lines that she has done but that it just wasn’t the right time in their lives and then proceed to give her a variety of reasons of why they can’t. And then she said “if you want to do something – you just need to do it”. You need to stop making excuses and live in the “now”.

As I write this blog entry, her words are kicking around in my head and I realize how grateful I am that I am living in the “now” and doing what I feel I need to do. And that is the best birthday gift of all – nothing can ever top that.

Thanks Ronni for a wonderful and memorable day.

July 16, 2010July 15, 2010

I Don’t Believe in Re-Inventing Myself

I hear an awful lot of people these days saying they are re-inventing themselves. I always take pause when I hear that because I think to myself that I don’t want to re-invent myself.

Gail Mooney in northern hill tribe town, Thailand — Gail in bamboo hut in hill tribe village, northern Thailand

I like who I am and what I do – so why change it? It doesn’t really matter to me if I’m in vogue or doing what everyone else is. What matters is that I’m true to myself.

Don’t get me wrong – I’m not stuck in the 1970’s and wishing for the good old days. It’s just that I’ve always kind of done what moves me – what I just have to do. So in that sense I suppose one would say that I re-invent myself on a daily basis. But in fact I’ve always lived my life and pursued my career based on what that little voice or “inner self” is telling me to do.

Has that inner voice always been right? Many times when things don’t have the kind of outcome that I expected, I’d probably say that my inner voice led me astray. But in fact, the outcome was what it was meant to be – even though it wasn’t what I wanted. Things happen for a reason and things happen when they are meant to happen.

There have been times when I’m in such a hurry – in pursuit of my dream – that I don’t stop and realize that my dream is happening right then and there. On those days when I feel that I’m just a day away from where I want to be – I try to remind myself that maybe I’m already there.

In my 99-day journey around the world, I try to remind myself on a daily basis – not to look ahead to my next destination but to relish the one I’m in. A powerful thought and an even more powerful action.

So as I continue on following what that inner voice is telling me, I realize this is what I’m meant to do and this is the time that I’m meant to do it. I believe that and know that this is all happening for a reason. This is my path and where it will lead, I’m not certain. But I’ll follow along with faith and good judgment and never feel forced to re-invent myself.

July 12, 2010July 10, 2010

Revisiting “Standing on a 10 Foot Frozen Wave”

It’s been only 5 months since I stood on top of a 10 foot frozen wave of Lake Superior in the Upper Peninsula of Michigan. Seems like a lifetime ago. I couldn’t be further from that wave, both literally and figuratively speaking.

BlueIce2 — Lake Superior, Upper Peninsula, Michigan

As I stood on the crest of that frozen wave, in utter silence with no one in sight for miles, I reflected on the human spirit in this remote part of the world. The sun was setting and I was fearful of slipping into a crevice but yet drawn to the glow of the setting sun – feeling hopeful for the future.

I am in Jaipur, India right now with the temperatures nearing the 100 mark and the humidity level the same. But it seems hotter because everything here in India seems intensified on every level. I’ve been on the road for close to 2 months now and have traversed a variety of climates, cultures, joys and heartbreaks. It’s been easy, hard and everything in between.

In creating this documentary “Opening Our Eyes” I have challenged myself in every way I know how. Just shooting a documentary with an HDSLR system, on a slim budget and with a two-person crew is a feat in itself. But this documentary is taking us around the world and putting us in touch with the less fortunate of our planet. It’s humbling, heartbreaking, exhausting, yet somehow a boost to my inner spirit – that same spirit I wrote about back in February when isolated and alone on that 10 ft. frozen wave.

How I crave those frigid temperatures and the utter silence of tranquility. Space is a luxury in India with billions of people competing for it. Such an intriguing culture but one that is beyond demanding of all that a body and soul has to give. I draw on my inner strength and my people that came before me who taught me well about struggles and endurance as well as compassion for those who are less fortunate.

My eyes have been opened these past two months in so many ways and so I think unknowingly I chose the perfect title for this film. To experience and see the extremes of the human condition across the globe has broadened my perspective and put things into balance. What seemed so important just a few months ago, seems so trivial today.

And so it goes as I complete this journey in a few months time. Off to another climate and culture with my eyes opening wider as I go along.

July 7, 2010July 6, 2010

Beyond the HDSLR and the G4 iPhone

Everyone these days seem obsessed with the tools. The blogosphere is full of tech talk but few mention the art of storytelling. Without that, we are left with technique with no apparent message – or one that is weak at best.

When I think about it, the videos and photographs

KopilaValley-5904 copy — School girl in Surkhet, Nepal

that really resonate with me and stay with me for any length of time are not examples of shifting depth of field or low light marvel, but rather pieces that have touched me because of the story that they tell.

The story that we have to tell is also one facet of video making where we can stand out as being truly unique. Our stories are our songs where we reveal a part of ourselves. If our films are solely portfolios of technique and examples of what our tools can achieve, then we do not separate ourselves from our competition. We can all buy the same gear, gadgets and gizmos and with that run the risk of being button pushers.

I suggest that we all work backwards. That we define the message that we want to communicate and then choose the right tool that will appropriately fill that need. In order to do that, we need to step back and experience life itself. See what the world has to offer, discover our passions and have something worth talking about before we even begin to pick up a camera – whatever camera that may be.