music – Page 3 – Journeys of a Hybrid

January 27, 2010January 27, 2010

Video – Hot Medium for Higher Ed Marketing

Last night my daughter forwarded a link to a blog entry she wrote for Lipman Hearne, the marketing firm that she works for. Lipman Hearne specialises in PR and marketing for non profits and institutions – many of their clients are colleges and universities.

She wrote about a new trend, “LipDub” that is quickly being embraced by universities and becoming part of their marketing and communications strategies. “LipDub is part virtual campus tour and part music video that showcases a college’s campus and student life in a creative and entertaining way.”

This MTV type video trend apparently started in Europe when students decided to create a video to “show the world” that studying doesn’t have to be boring. The idea quickly caught on in Canada and the US and has moved beyond its grass-roots beginnings and is being adapted by marketers who find the approach uniquely appealing in this niche.

The videos that I have seen remind me a bit of the popular “Playing for Change” – Stand By Me video that went viral on YouTube last year. They are clever, well executed and very engaging. Check out what John Hopkins created. Definitely not your run of the mill amateur video but rather a very entertaining and professionally produced web video.

The big point here is that video is the medium of choice when targeting this demographic and quickly making those glossy brochures a thing of the past.

December 8, 2009December 14, 2009

29 Years Ago Today – John Lennon Murdered

It’s hard to believe that it’s been 29 years since John Lennon was shot and killed outside outside The Dakota, his apartment building in New York City.

From the first time I saw the Beatles perform on The Ed Sullivan Show as a young girl in February, 1964, I decided that John was “my favorite Beatle”. There was something about him that appealed to me. Sure Paul was the cute one – but John was the …. well he just sort of struck me as more rebellious which was very exciting, even back then.

John followed his own path and used his voice to speak for Peace. After the Beatles broke up, he went on to have a great solo career and then when his son Sean was born, he pretty much left the limelight. He had recently resurfaced and had recorded a new album – and then he was killed.

I’ll always remember that night. I was watching the local NYC 11 o’clock news that had been delayed because a football game had gone into overtime. Half way through the anchor’s report came a breaking news bulletin saying that an unnamed man had been shot outside the Dakota, on West 72nd St. I instantly got a jolt and somehow knew that it was John Lennon and within a half hour it was confirmed that Lennon was dead.

The following week was a sad one in NYC. People gathered in Strawberry Fields, a section of Central Park that John and Yoko used to frequent. Night after night there were candlelight vigils and people took solace in each other’s company.

The entire world mourned the loss of John and along with that went any and all hopes that the Beatles would get together again.

Rest in peace John. You made a difference in many people’s lives.

December 2, 2009December 14, 2009

Input Overload

John Lennon once voiced in a song “everybody’s talking and no one says a word”. That was 30 years ago – way before social media. Nowadays it seems like everyone is talking – everywhere – a constant electronic pipeline into our lives. But with all this talking I wonder sometimes if anybody is really being heard. And isn’t that the point – to be heard?

I admit I’m guilty of the same thing. The very fact that I write a blog adds to the cyber babble. To be honest I really do it for myself. It helps me focus my thoughts. Sometimes what I write is not meant for anyone other than myself or maybe a close friend. Other times, I put it out there when I feel I have something to share. And every once in a while I say something that resonates with someone “out there” and a connection is made. And that can be a powerful thing.

That’s the appeal of social media – to connect with others. A basic human need. Ironically sometimes we spend so much time in the cyber world “connecting” we become more insular in the process. And when we do spend face-to-face time with others – many of us are multitasking plugged into whatever portable devices we have at the time. In other words not totally “there”.

These days I try to manage the time I spend on Facebook, Twitter, Linkedin, YouTube and so on. It can be a real time suck if you’re not careful about managing your time. I go online with the social media sites 2 or 3 times a day and I give myself time limits when I do. It’s all about maintaining a balance.

Ultimately all this talking we do on social media platforms is not good or bad – it’s not that black and white. I’ve made some incredible connections through social media. I’ve also reconnected with people I’ve lost track of over the years. I’ve promoted my business utilizing social media and gotten work from people I wouldn’t have connected with otherwise. But I’ll always prefer a real connection with people – outside the cyber world. I think most people do – that’s just being human.

November 4, 2009December 14, 2009

The Power to Move and Influence

How often are we really moved in our lives by something we see or hear? Whether it be a printed photograph, a film, a song or a book, I’m sure there are times we all recall seeing or hearing something that has really moved us. Sometimes we’ve been moved to take action on something that’s been stirring inside us because those lyrics or visuals just won’t leave our heads.

These days we are so bombarded by “content” from every direction we turn that it’s hard to let anything sink in. The message gets lost amongst the clutter of mediocrity. We get blinded by all the packaging and fizz and just don’t see or hear what people are trying to say – if they are saying anything at all. The human connections don’t seem to be made.

Last night I went to see Jackson Browne in concert. I knew it would be an intimate experience because it was just Jackson playing an acoustic set – no band – just Jackson and the audience. As I took my seat in the theater I saw the simple set on stage – one chair – one small table with a cup of tea on it – one amplifier, a keyboard and his guitars. Granted there were 16 guitars for Jackson to choose from throughout the night – but ultimately it was about as simple and as basic as it gets.

I have been following Jackson Browne since his early days when I was living in California. I grew up with his music and lyrics over the years as it changed with the times and his own life’s experiences. I fell in love with his music and to his music. I’ve been amazed and inspired by his incredible gift to connect with people on a very intimate and personal level.

As I looked around at the faces in the theater last night as he played in such a pure and simple way, I could see that I wasn’t the only one that had been taken to another place. The women in the audience were in love with him and the men were in awe. We were with him the entire evening listening to every word and note.

As his music lingers in my head today, I can’t help but think about all the stories that are in my head that are dying to get out. I remind myself to pay attention to those stirrings because in my heart I know that those are the very thoughts that I need to listen to. The one thing that I’ve learned over the years is that the ideas that are closest to my heart are the very ones I need to act on because ultimately they will rise above the clutter and resonate with others.

Thanks Jackson for your inspiration.

October 13, 2009December 14, 2009

Why I (Still) Shoot Still Images

Even though I’ve been shooting motion for over 10 years, I still spend half my time shooting still images. When my story can be or should be told with images that are “moments in time” then a still camera is always my tool of choice.

For me there is a certain timeless quality of a still image. Still images are meant to be explored by the eye while lingering on the “moment” captured. Perhaps a better way to explain the power that I find within still photographs is to show you some recent images I shot. Hopsons_shack

This past weekend I visited a favorite spot of mine. It’s an old plantation in Mississippi and every time I visit, I see it in a different way. But I always see it in a timeless way – it’s like time just stopped there. Even though this plantation is worlds away from my cultural norm – I get a feeling of comfort mixed with a bit of melancholy for my own past when I’m there.

I could put these images in a multimedia format and add a narrative or a music track. But the question I ask myself is why? Will it add or will it distract? What piece of music should I use and what will that add to the story? Will the music overpower the piece – because many times it can. And too many times people try to add music to mediocre images to make them more exciting. Hopsons_car_J2X8561

A still image has the power to capture the eye of the viewer and make them want to know more. If an image I make draws the viewer in – to see that moment in time – just as I saw it – when I shot it – then I’ve done my job as a storyteller.

October 11, 2009December 14, 2009

Finding Your Passion

How does one find their passion? How does one even define the word – passion? The dictionary gives a few definitions. I’ll cite two:
– “intense or overpowering emotion such as love, joy, hatred, or anger.”
– “the object of somebody’s intense interest or enthusiasm”

Passion isn’t something you can teach someone – you just have to have it inside of yourself. If you’re passionate about something – you just know. I’m a photographer and a filmmaker . But my passion is “telling the story” and I use my craft as a means to that end. I’m interested in the human story and the cultural context that gives birth to those stories.

My insatiable desire to seek out and explore the human story has led me down many wonderful paths in my life. One of those paths led me to shoot a personal multimedia project on The Delta Blues Musicians. My goal was to shoot environmental still portraits– as well as shoot video interviews of them . I met my goal – at least in terms of creating an exhibition of still images and a short documentary – but I’ve never thought of this project as really being finished. And that’s because I’m so passionate about the subject – “the blues”.

This past Friday, I headed down to Mississippi for Pinetop Perkins homecoming. Pinetop Pinetop Perkins is a legendary boogie woogie piano player in the blues world. He’s 96 years old and still going strong. He is living proof of a man who is “living his passion. I’ve become friends with Pinetop’s manager over the years and yesterday we got together over lunch to catch up on what was going on in our lives. I hadn’t been to the Delta for a few years and she was giving me the latest news on some of the musicians that I had interviewed for my film. Four have since died – Little Milton, Robert Lockwood Jr., Ike Turner and most recently Sam Carr.

Pinetop’s manager is a very interesting woman who used to be an Anthropology professor at University of California at Berkeley. She taught interview techniques as part of her ethnology classes. When I had originally called her up to request an interview with Pinetop – she turned me down. But not being one to take my first no – I asked her to check out my website and I also sent her a portrait I had taken of Sam Carr. When she saw the photo I had taken of Sam – she changed her mind – she gave me my time with Pinetop. She said that after she saw the portrait I took of Sam – she knew that I understood “cultural context”

Yesterday at lunch she paid me another high compliment. She told me that while she couldn’t quite dissect my “interview technique” (and she kind of rolled her eyes as she said it – because at times my techniques are quite comical) – she said that people just seem to be comfortable with me and because of that they wanted to talk. She also told me that I’ve been the only one to get a smile out of Robert Lockwood Jr. in an interview – but that’s another story. Those comments were rewards in themselves for the efforts I’ve made on this project over the years – but there have been so many more. Many rewards – all because of my passion for “the blues”.

Later that evening I got a chance to see Pinetop perform again. I was backstage at the main festival stage – it was unusually chilly and I had a blanket with me. Pinetop was sitting in the wings and I gave him my blanket as he waited for his cue. He seemed so small and fragile. When he got up to walk on stage and take his place at his keyboard before the crowd – he came alive. And when he played his first note – I caught “it” in his eyes – a passion for his music and more than that – a passion to play for “his people”. He didn’t want to leave last night – he played another song for “his people” and raised his arms in joy as the crowd embraced him. It was a moment I’ll never forget.

September 22, 2009December 14, 2009

Sam Carr (1926-2009) Legendary Blues Drummer

I received some bad news today that Sam Carr died. Sam was a legendary blues drummer – he was also one of the sweetest people that I came to know. I interviewed and photographed Sam in 2001 at his home in Lula, Mississippi – the heart of the Mississippi Delta.

I was working on my first really ambitious documentary after getting into video the year before. It was a personal Sam Carr, Lula, MS project that had I tried to get funding for but then 9/11 happened and money dried up over night. But for me this was a story that I needed to tell and now because these musicians were in their 70’s and 80’s. I wanted to tell the story of these musicians apart from their music. I was interested in their cultural stories – about the area they grew up in. the Delta and how that gave birth to their music – the blues.

My first trip to Mississippi was on a shoestring budget with my heart in the right place and open to whatever I may find. My husband, my 14 year old daughter and I hit to road for the Mississippi Delta the summer of 2001. To be honest I didn’t have much in the way of a planned itinerary. I had tried to line up interviews with some of the musicians but the cultural divide between us made it difficult to pin down a schedule. So I was open to letting serendipity happen and it did.

I had spoken with Sam Carr and his wife Doris who had been with Sam since she was 13 years old until she passed away last year. Sam was very cordial and kind and was quite willing to be interviewed. I had pinned him down with a date in a vague sort of way and we all – my husband, my daughter and I – showed up at the proper time. It was a typical August day in the South – hot and humid. So we sat on a bunch of mismatched chairs underneath a big old shade tree. Sam literally talked for hours and I was drawn into his stories about his childhood, his father, Robert Nighthawk a legendary guitarist who didn’t raise Sam, his music, his regrets and his life now during his older years. At times it was difficult to understand him because of his dialect but I listened carefully and his words made permanent marks on my soul. We talked until evening and it will be an afternoon that I will never forget.

Sam’s words became a big part of my film. That first interview also convinced me that these stories needed to be told – and by the musicians themselves. I went on to photograph and interview – Little Milton and Robert Lockwood Jr. – who have also left this earth since my interviews. We still have Pinetop Perkins – 96 years old, Big Jack Johnson, who played with Sam in the band Jelly Roll Kings, Willie “Big Eyes” Smith and Magic Slim. The outcome of my efforts was a 26 minute film and a still photographic essay about The Delta Blues Musicians that has become a traveling multimedia exhibition. View the trailor.

I heard this sad news from Pinetop’s manager who I’ve become friends with over the years. She told me that Sam died quietly with his family and friends around. She also told me that his family was grateful that I had captured Sam and his stories that day. And she told me that his epitaph may be “I lived a rich man’s life in a poor man’s shoes” – the last thing that Sam told me that glorious August day.

July 8, 2009December 14, 2009

Pinetop Perkins – Still Singing the Blues at 96

Yesterday, July 7th as the world mourned Michael Jackson’s passing, another music legend, Pinetop Perkins turned 96 years old. Pinetop Perkins, King Biscuit Blues Festival, Helena, AR

Pinetop Perkins is a legend in the world of “blues” music. He taught Ike Turner how to play piano during the 1940’s while working on Hopson’s Plantation in Clarksdale, MS. Pinetop still tours the world playing his boogie woogie style blues. Even at 96 years old – he’s still living his passion for the blues.

I met Pinetop in Mississippi in 2002 while there for his homecoming. I had recently embarked on one of my earliest video projects – a project about the Delta blues musicians and the part of the world that gave birth to that music. http://tiny.cc/ntwso My approach was to shoot still environmental portraits of these musicians, but more importantly capture video interviews of them talking about their youth and the Delta.

Pinetop Perkins, Clarksdale, MS I spent the morning with Pinetop sitting on the front porch of an old shack on Hopson’s Plantation. The crowds from the party the day before had come and gone and it was just the two of us, having a conversation on a glorious October morning. It was memorable and I captured his stories which I hope will be heard by generations to come.

That day led to many other wonderful encounters over the years with Pinetop and even a trip to the Grammy’s when Pinetop was honored as a lifetime achievement recipient.

Pineop_Ike_Gail

Seven years ago when I asked him what the blues was, he replied “ Something worrying you so bad that you mights need to cry about it – you got the blues if you can’t sing em”. I try to remember those words when I’m down – and sing the blues to carry my troubles away.

Happy Birthday Pinetop.