“Try to have a little more control”

I’ve been spending a lot of time lately purging – getting rid of a lot of stuff I don’t need any longer. I came across a portfolio of architectural drawings that I had made during my days as an architectural student at Syracuse University. Stuck inside the portfolio were graded copies of the drawings with remarks from the professor. The comments were consistent and repeatedly pointed out Gail's college architural renderingsmy lack of “control”.

“Try to have a little more control!”

“Without control of lines and line quality, solution is lost!”

Back then I used a rapidograph (technical pen) for rendering these drawings. Unlike a lot of my fellow architectural students, I had very little training in the way of art classes before coming to Syracuse and my skills as an artist were terrible. Drawing fine straight lines with a rapidograph was my downfall. The ink would blotch or would seep under the ruler or triangle that I was using and my drawing would usually end up being a big mess.

I think my lack of “control” as an artist ultimately turned me away from pursuing architecture as a career. Instead, I changed my path and pursued a career in photography. Today, architectural students use CAD for their drawings and I would imagine that perfecting one’s skill with a rapidograph is no longer a requirement.

I wonder if things would have been different as far as the path I chose, if I had the tools available to me, that we have today? It’s an interesting question to ponder, but ultimately I don’t think I was well suited for a career in architecture and it went beyond the fact that I had poor drafting skills. I was a “big picture” thinker and not focused on the details.

Fundamentally, I haven’t changed. I’m still a big picture thinker. I am able to clearly visualize, my creation or project as a “whole” and know usually know what I need to do to achieve that end, but in determination to finish, I sometimes overlook the details. I’ve trained myself over the years, to not be in such a rush to complete something, that I compromise the quality. I’ve also accepted the person I am – what I’m good at and what I’m not so good at and found that I’ve produced my most gratifying work in collaboration with others.

I will always be a big picture thinker – the bigger the idea and the more possibilities – the more I love it. I have learned to have more control, but I still love to color outside the lines and push the boundaries.

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Timing is Everything

NPPA_MultimediaImmersionWorkshop
© 2014 J.C. Carey

Have you ever looked back at your life and wondered “How would things have turned out differently if…..I hadn’t have moved to a new part of the country when I was 13 years old or if I had stayed at Syracuse University instead of leaving school after completing my sophomore year and traveling around the world?  Or if I had taken the job at Boeing after graduating from Brooks Institute…..or  if I hadn’t seen that article in Time Magazine about “Indie” media ventures, referencing the 1st Digital Video Symposium that was going to take place at the American Film Institute?” Every one of those events at pivotal points in my life, carved out my next “chapter “ – determining who I was going to be and where I was headed. Some of my life’s twists and turns, I had no control over – like moving from Rochester, NY to the greater NYC Metro area when I was barely a teenager. But there have been a lot more pages turned in my life since then, and along with that a whole lot of decisions to be made along the way. The best decisions I’ve made in my life happened when I was open minded to possibilities and I listened to my gut. Last week I coached at the NPPA’s Multimedia Immersion Workshop.  It was a perfect example of peers helping peers and a wonderful collaboration between NPPA and ASMP, my trade association that I’m about to be President of next month.  Even though these workshops are exhausting in every way, I get as much as I give on so many levels. Ultimately the workshop is about learning good solid video journalism storytelling, but the technical learning curve can be daunting to many coming from a still photographer background.  Many of the students were totally green when it came to audio, movement, sequencing or the post-production editing process.  Some became so overwhelmed by the gear that they lost focus of the most important part of the workshop – “the story”. It’s easy to lose sight of the “story”. At the workshop, Bruce Strong from Newhouse School of Journalism gave a talk about “Storytelling Basics”.  He said something that really resonated with me “Ask the why behind the why.  Look for the emotional core of the story”. I realized that I needed a reminder at this particular time in my life, as to what was the essence of a good story. I’m currently working on a documentary film about a family that has a deep and rich history. To be honest, I had been floundering on the story aspects of the film as I had begun to get lost in the details and facts. I had an epiphany as I listened to Bruce and realized that my job wasn’t to document the timeline of this family, that had already been done in written form – my job was to “tell a story”. That epiphany may sound obvious and simple, but sometimes I get blindsided by the daily consumption of life, and the “obvious” gets overlooked.  But if I put myself in a different place, in body and mind, at a time in my life when I am open and receptive, the “right” path does become obvious.  That path was there the entire time, but perhaps it wasn’t the right time for me. As Orson Welles once said “If you want a happy ending, than it depends on where you stop the story”.

Seeing Opportunities

The interesting thing about getting older is the perspective that one gains in the process.  You realize that all those decisions that you’ve made over the years, ultimately led to pivotal points in your life.  Looking back,

Gail in Window1983
Photograph of me taken in 1983

one either has regrets or is happy with the decisions they’ve made.  It’s usually a mixture of both. Regardless of a decision’s outcome, they all play their part in the life we have.

Some of the decisions I made early on in my “adult life”, charted the course of my future.  Perhaps, one of the biggest was my decision to take a sabbatical from Syracuse University where I was studying architecture.  I was a sophomore and only 19 years old, but I had an insatiable curiosity for the world beyond academia. So, instead of returning to college in September, I took off for Europe.  My plan was to meet up with a friend and travel around Europe and be home by Christmas.  The short story is that when I arrived in Munich and my friend wasn’t there, I made the decision to do what I set out to do – travel around Europe, except now I would be doing it on my own.

The long story is that I eventually met up with my friend a couple months later in Greece and we traveled around together until she went back to the U.S and I stayed.  I ended up traveling (mostly hitch hiking) around the world for a year and when I got home, I knew that I wanted to pursue a lifestyle that centered on travel and exploration.  I decided to become a photographer and use my camera as a means to that end.

I never did return to my studies at Syracuse University.  I headed to California, graduated from Brooks Institute and eventually came back East to make my mark in the editorial world – and I have in a richly rewarding way.  A lot as happened in my life since the day I made that decision to take a “break” from my studies so long ago, and I am grateful for all the opportunities and joy it has brought to my life.

I have just returned from a trip up to Syracuse.  I had been asked to moderate a discussion for an ASMP event, with National Geographic photographer, David Doubilet and Mike Davis, Alexia Chair for Documentary Photography at Newhouse School.  It was a fabulous event and was well attended by students from 9 different colleges in the area – all so eager to learn and make their mark on the world.

After the event was over, I reflected back on my days at SU and the life I’ve had since then. Somehow despite the angst and chaos of the times and the naiveté of youth, I made the “right” decision that changed the course of my life.  Here I was, decades later, at Syracuse University moderating a discussion between a legendary shooter for the “Geographic” and an esteemed editor and educator from the Newhouse School of Journalism. I smiled at how the universe continues to connect the dots in my life  – that is when I tune into it and “see” what it has in store for me.

The Past Always Seems Better…….But Was It?

Chris Guillebeau struck a chord with his blog today ,“ The Past Wasn’t Better. Choose the Present Instead”, .  He relayed a story about a time his friends got together for a “gaming session”. They had ordered an emulator, which allowed them to play the games of their youth on the modern gaming console of the time.  They realized after a couple of hours of playing the “old games” that the games weren’t as fun as what they remembered.  They were very simplistic and hard – dying over and over again and not advancing to the next level wasn’t fun – it was frustrating.

Chris made the point that it’s easy to look back with fondness on the good ole days, but our memories get distorted as time passes and sometimes what we looked back on with fondness, never happened.

I had an interesting and somewhat similar experience this past weekend.  I had been invited to speak and coach at the 2013 Syracuse University Fall Workshops, which ASMP had contributed to as a sponsor.tumblr_muyzapUjbp1qe6iepo1_500  It was an intensely creative 3-day workshop where journalism students from the Newhouse School, came together with some of the best editors, designers, photographers and multimedia producers working in journalism. It was a hands-on workshop, where students worked with their coaches, to produce their projects (stories), under a tight 3-day deadline. What stood out to me this weekend, was that the “learning” wasn’t a one-way experience.  I learned as much as I shared – from the other coaches, as well as from the students. I’m sure I’m not the only coach, who picked up some tips from their students this weekend. I was also inspired and amazed at what is possible now, in terms of new ways to tell a story.

Sure, there are days when I’m simply overwhelmed by technology and the continued learning curve that comes with it.  And sometimes, I look back and fantasize how much better it was in the past.  At the workshop, one of my students had more than her share of technology mishaps.  At one point after losing hours of work, due to a software glitch along with not being able to access her audio files, somewhere in “the cloud”, she remarked with exasperation “ I wish things were like they used to be”.  She meant when things were tangible and analog. I quickly replied, “No you don’t because this 3 day workshop would have taken 3 months”. It was a moment when we both had the same realization that Chris Guillebeau had – our memories and perceptions of the old days are sometimes blurred and over glorified.

As much as we remember and long for the old days, the fact is we have it pretty good now.  There’s not a day that goes by that I don’t remind myself of that.  I choose to focus on what I am able to do in the present rather than look back at what was. If we choose to stay in the past and remember things being better then they are now, we’ll miss out on a whole lot of possibilities. As Chris beautifully sums it up: “Let go of the glory days.  Live in the present and build for the future.”

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