Video – Page 16 – Journeys of a Hybrid

June 28, 2010June 24, 2010

Biggest Mistakes Made Shooting Video with DLSR’s

I’ve been working quite a bit lately with both the Canon 5D Mark II and the Canon 7D, shooting video. I’ve been shooting video with traditional video cameras for the last 11 years so I wasn’t in the dark as to how to shoot motion. But I’m not ashamed to say that I’ve made my share of mistakes with these hybrids.

Here are a few to watch out for:

Don’t forget about audio. So many still photographers forget the importance of audio and then what they are left with are a bunch of video clips with lousy or unusable sound.
Don’t capture audio with the camera mic. You’ll never get good sound if you do. I also stay away from plugging in an external mic with the mini stereo plug.
Don’t turn off the camera mic when using an independent audio recorder. It’s always good to have the audio recorded to cards through the camera to use as a reference when syncing the sound later in post.
Don’t discount reading the manuals. A lot of shooters think since they are coming from a photographic background, they don’t need to read the manuals. There are big differences when shooting video – make sure you read the manuals about some of the nuances and avoid making stupid mistakes.
Don’t shoot video like a still photographer. Remember video is time in motion – so let motion play out in the camera. Let subjects move in and out of your frame. Let the camera roll – don’t shoot moments in time.
Don’t forget about the story and sequencing. I usually see the big picture when I’m shooting. I think about the finished completed movie in my mind’s eye so when I’m shooting I’m always thinking about what is coming next – where will I go from this shot – where did I come from. If you don’t think like this then you’ll have a disconnected mess that won’t be easy to edit.
Don’t be sneaky. These cameras look and are still cameras. Don’t deceive people into thinking that you’re not shooting video and/or sound.
Get it right in camera. Unlike still photographs, video doesn’t do as well when it’s over manipulated or corrected in post, especially when trying to crop or enlarge the image.
Don’t skimp on you shots. When shooting b-roll video – you’ll need lots of it to tell the story in post. Shoot different focal lengths as well as angles for variety to cut to.

10. Don’t shoot verticals. I know, I know there will be some of you that will disagree with me but if you want a vertical – don’t turn the camera sideways – crop the vertical in post. A contradiction perhaps to #9 you say. Well there are always exceptions.

June 25, 2010June 23, 2010

Packing for 3-Month HDSLR Shoot – Too Much or Too Little?

When I embarked on my 3-month journey to create a documentary Opening Our Eyes, I posted a blog entry about what I was packing. http://tiny.cc/7pc9f

I received quite a few comments – publicly posted and otherwise and many people remarked that I was taking too much. After one month into this sojourn, I thought perhaps an update would be in order.

The main verdict is – my hunches were pretty much on target and I didn’t over pack. Sure it’s a lot to carry – but there are two of us and it all fits into two medium sized photo backpacks. I have used all the lenses that I brought except my old Nikon fixed lenses that I planned to use with the converter. Those I could have left behind – but the trip is not over yet so I’ll have to wait on that determination.

Bringing two camera bodies is a must if only from a back up point of view but when shooting stills as well as video, it’s a lot faster to have one dedicated for video and one for stills, especially when shooting with the Zacuto Z-Finder and rig.

And bringing two laptops has proven to be a very smart move. I had recently purchased a new Mac laptop with the latest operating system and there have been numerous times when I could not connect with the Internet – but the older laptop (2 years old) has had no problems. That and with limited Internet time, when we are able to get online, having two computers has saved a lot of arguments over computer time between my daughter and myself. We take full advantage in the airline club lounges to upload items and check email while waiting for flights. I have also had to rely on my extra laptop battery for the older Mac as the original battery was no longer holding a charge for more than an hour.

My audio equipment is sufficient and I am constantly switching back and forth between capturing my audio directly to the camera cards with the JuicedLink DT454 and separately with the H4n Zoom. One item I do not have that I really need is a male-to-male XLR cord. I found out that I couldn’t use my wireless set with either the JuicedLink or the Zoom because they both need male ends and I only have male to female XLR cords. I keep thinking there must be a solution that I’m overlooking so if someone has any thoughts – please let me know.

The small Matthews boom stand rig that I put together is terrific. It was meant to be used for table top studio shooting but for me it is perfect because it breaks down into multiple pieces, is light weight and easy to use.

I’m backing everything up onto two hard drives and I have just now used up the first two (500 G) drives. That leaves me with 6 more drives which is just about perfect depending on how much I will shoot.

Lastly, my iPod has helped with my sanity on these long flights and layovers and my Blackberry Tour phone has worked everywhere and it simply amazes me. Many times it has been our only connection to home. So I have to give kudos to Verizon and their global service. I’m truly impressed. Still a lot of remote places to go – so we’ll see how well it does as we move on.

I stop and think about the equipment we are carrying and the new technology and how this would not have been possible just 5 years ago. It’s an amazing time we live in and I’m taking full advantage of it. Can’t wait to see what the future will bring.

June 23, 2010June 24, 2010

Planes, Trains and Automobiles – With Photo Gear

I am about a third of the way through my 3-month round the world trip working on a personal project and documentary, Opening Our Eyes. I’m holding up pretty well – better than I thought actually. After all, it’s a whole lot different putting myself to this test this time, more than 35 years after my first adventure around the world. Besides being older, I’m carrying a lot more expensive photo and video gear with me and I have a job to do. Yes, it’s a personal project and not an assigned job, but for someone like me, I take it with the same commitment and responsibility that I would if I was shooting for a client. In fact, if anything I have a more vested interest and push myself harder. But I’m not alone, I’m traveling and working with my 23 year old daughter Erin

Istanbul-5312 copy — Erin wearing a GoPro Helmet Cam at Spice Bazaar in Istanbul

and having her along has made all the difference in the Without her, this project would have been much different and harder on me. Besides being attentive to the travel logistics with the multitude of flights we need to make, the hotels we need to arrange and find once we arrive at our destinations and coordinating our subjects all over the globe, we need to be constantly attentive to our security and safety. When traveling with photo equipment – and a lot of it – my daughter and I must be forever diligent and aware of our surroundings. I’m fortunate that my daughter is along for this trip because we watch each other’s backs, especially when shooting in bazaars or traveling on public transportation.

Many days I feel like I have two jobs to do – one being that of a creative and making sure I get the images and video that I need for our project and the other being that of a travel agent. Fortunately for me, I’ve been facilitating my own travel arrangements as long as I can remember and I’m good at it. I’ve also built up a kind of sixth sense and I’m streetwise which seems to keep us out of trouble and harm’s way. I sense danger and go the other direction.

We’ve managed to keep a balance of down time and project time, leaving a little room for error because not everything goes according to plan. Plus, travel does take its toll and some days we just need to give into our bodies telling us to take time out. When I’ve finished this sojourn, I could write a book – in fact I could probably write a couple of books – on travel – on passion projects or on shooting a documentary with HDSLR’s. Maybe I will after I get the postproduction done on this project. Or maybe I’ll just take a vacation – at home.

June 17, 2010June 17, 2010

The Problems and Pitfalls of HDSLR’s and Video

I have been working intensively with the Canon 5D Mark II and the Canon 7D, filming a documentary Opening Our Eyes. I have discovered the good and the bad with the video functions of these cameras.

The visual is stunning and there is no argument there but there is a lot more to video than the image and therein lies the difference between the HDSLR’s and a traditional video camera.

First and foremost the audio is a bit clunky. I’m shooting both interviews and b-roll. For my interviews, I opted to capture my audio separately and I will sync it later in postproduction. I am using the Samson H4N digital recorder. It is a phenomenal tool but I did discover one big issue that I should make everyone aware of – especially those of you that don’t like to read manuals. You can use this device with “AA” batteries or with an AC adaptor. Because of some of the remote locations I’m working in, I am mostly using it in battery mode. It devours batteries. It says the battery life is about 6 hours – but I think perhaps it’s more like 4 hours realistically. It seems like we barely get through an interview session and we need to change batteries.

Here is where I need to issue a WARNING – when changing batteries – always turn the unit off or you can corrupt the audio files. I found that out the hard way and I had numerous files corrupted. The information was there but it could not be accessed. Had I fully read the manual – I would have known this problem, but I didn’t and in my haste so as not to keep my subject waiting, I didn’t turn the unit off because it takes some time to boot up again. Luckily in my case I have the camera audio, which I always use as a reference, and even though the audio is not ideal, I will only be using the audio as a low-level background audio with an interpreter’s voiceover as the primary audio.

Another problem I have with these cameras is the short durations that you can film – less than 12 minutes for the Canons. A couple of times my subjects have been deep in conversation with very emotional moments – and the camera stops. I know this will happen, but what am I to do – stop them in mid sentence as they tell their stories with tears in their eyes? So for me working in documentary style as opposed to storyboarded films – these short durations is a major issue.

Lastly, the fact that you can change lenses has its pluses and minuses. The pluses are obvious but when shooting video I am shooting lots of variations – wide, medium and tight shots from different angles and moving quickly as I do. It slows me down to change lenses and since I’m shooting journalistically, I’m apt to miss some good moments when I do.

Like anything else, these cameras have their pros and cons. But what I’d really like to see is a video camera with a big chip. I’m hoping the manufacturers are listening and that will be the next generation of cameras.

June 10, 2010

Having Fun with the GoPro Hero Helmet Cam

One of the great gadgets I saw at NAB this year was the HD Hero camera from GoPro. It’s intended to be an adventure sports camera that can be mounted on anything from a surfboard to a helmet to the side of a vehicle but we’ve been having fun with it on our Opening Our Eyes journey going through markets and bazaars.

We had a fabulous day in Istanbul today before heading to our next subject in Warsaw, Poland. After seeing some of the great landmarks in the city, we spent a couple of hours walking through the Grand Bazaar wearing this amazing little camera strapped to our head. Depending on how fluid your stride is, you can get some stunning hi res imagery that gives a viewer the feeling that they are having the experience themselves.

You cannot preview the image you’ll get as there is no eyepiece, but the lens is a wide angle lens with auto exposure and auto focus so shooting blind isn’t such a crap shoot. You have to do a bit of testing to determine how it reacts to various light conditions but the exposure compensates nicely as the lighting situation changes and it’s pretty much right on target. The audio is also pretty good quality, at least for any b-roll shooting.

For the price and the ease of use, the imagery this camera shoots is spectacular and it’s a lot of fun shooting in situations where you might not be able to use a larger camera. I’m suitably impressed and I haven’t even really tested all the capabilities.

We had a lot of fun today with it in the Grand Bazaar and got a lot of funny looks and comments. Check out our walk through Istanbul’s Grand Bazaar and see for yourself.

June 2, 2010June 2, 2010

Photographers and Video

I’ve been reading a lot of the still photography forums over the past few weeks and I’ve seen a lot of questions about capturing sound with the hybrid HDSLR’s. I’ve also seen some misleading information so I’ve decided to take a few minutes to clear up some misconceptions.

First – Audio is everything in video. People can tolerate a mediocre image but if they can’t understand or hear the audio – they won’t watch. See for yourself – turn the sound down on your TV and see how long you stay interested in the program – even if the image is stunning.

Second – You have many options of capturing audio with the HDSLR’s depending on what you are shooting. I think many still photographers assume everyone is going to be shooting “indie films” with crews. One of the things I find appealing about some of the new technology is that you don’t necessarily need a large crew and a Hollywood budget. And sometimes, if discretion is in order, you’re better off with a small crew. With that said – you should know how to capture good audio.

Third – NEVER use the camera to capture audio – it just isn’t good enough. And I would probably say that you shouldn’t plug an external mic into the camera via the mini plug. I don’t think the audio quality is good enough, especially for an interview.

Fourth – Either use a pre-amp with XLR inputs like a Beachtek or JuicedLink and an external microphone. Make sure you get the mic close to the audio you want to capture. And most importantly monitor the audio through a good set of headphones.

Fifth – Capture your audio independently with a good quality digital recorder like the Samson H4n Zoom and sync it later in post. Syncing sound in post is a snap with a great software application called Plural Eyes.

Lastly – Audio is everything! And remember as you add video to your skill set, you’ll be using your ears as much as your eyes.

May 30, 2010

Shooting Video in the Field with the Canon 5D Mark II

The first two days of our Round the World Journey, shooting the documentary Opening Our Eyes has been quite full and I’ve faced numerous situations – really putting my tools to the test.

Our first full day was spent at the offices of Wrap Up Africa, which are located in Kampala, Uganda. In addition to shooting b-roll of tailors at work, we shot several interviews. Our main interview was with Wrap Up Africa’s founder, Letha Sandison, followed by interviews of a couple of her staff members. We also did interviews of some of the cancer victims that Letha has helped. Here is where I not only needed to be attentive to my technical details but be sensitive to the situation and the people that I was interviewing. Hearing some of their stories is heartbreaking and hard for many Americans to fathom. Sure, we all watch the travesties taking place throughout the world on the nightly news, but it’s quite another experience to speak with people who have experienced horrendous tragedies in their lives that are simply unimaginable.

One woman, Evelyn who works for Letha had been abducted and held captive by the LRA, which stands for the Lord’s Resistance Army, and is not exactly a charitable group. She managed to escape after most of her family had been killed in front of her. She is now raising three orphans who had been victims as well and works with Letha, helping others.

Our set up was simple and deliberately so. I set up the Canon 5D Mark II and captured my audio separately with the H4N Zoom. I had two mics – one shotgun on a small boom stand and another lav. I will sync them later in post. We chose a room that had ample window light as we are traveling with only a small camera light and nothing else. Our biggest challenge was that the cabinet installer decided to do his work the day we were shooting – so the sounds of hammering and drilling made up our ambient background sound. But the mics were placed close to our subjects and did a pretty good job of boosting their audio above the din of the environment.

The next situation we faced was shooting b-roll in the dirty environments of a potter’s studio and a foundry. Again we used the Zoom to pick up the ambient sound of the environments. After a morning with the artists, we packed up quickly and headed to Mulago Hospital to visit the children’s cancer ward. We were not allowed to shoot video but we did shoot some still images and was happy to have the hybrid cameras that captured beautiful files – far better than frame grabs from a traditional video camera.

Then we headed to the market, which as usual is always a trying experience. For anyone who has traveled to congested third world environments, you know what I mean by “trying experience”. You must be aware of your personal belongings at all times, while shooting and I wish at times that I had eyes in the back of my head. On top of that I’m sensitive to those that don’t want to be photographed. It’s exhausting but at the same time exhilarating because of the exotic nature of the environment. My daughter wore the GoPro Hero helmet cam that is a tiny camera made for adventure sports but she had a lot of fun walking through the market recording the event with running video as we walked through the market.

I was shooting video with the Canon 5D Mark II and used a shotgun mic on top of the camera and run through a JuicedLink audio mixer. I’m embarrassed to say that somehow, even after lots of testing – I came back with no audio! Luckily the helmet cam Hero picked up very good ambient audio so I’m able to use that and layer it in post. In the chaos and confusion of the market, I probably didn’t set it up right and today I will do additional testing so as not to make that mistake in the future. But the video was captured beautifully and I will interweave those clips into the documentary with sound from the interviews and ambient sound from the Hero.

I am realizing one thing though and that there is nothing easy or streamlined when shooting video with these hybrid cameras. The results are stunning, but the shoot and workflow are much more tedious than when shooting with a video camera. Perhaps at the end of this three-month journey, I’ll be singing a different tune – I certainly hope so.

I’ll keep you posted as I get access to the Internet, which is iffy, and we’ve been off line for the last two days. But there’s something humbling about being off the grid and I’m learning to take it in stride and appreciate what I have. Today is Sunday and we are resting and storing up a bit of energy for the coming week. Please read more about our journey at Opening Our Eyes.

May 24, 2010

Heading Off Around the World

Gail Mooney and daughter Erin Kelly, Giza, Egypt — Gail and Erin in Egypt in 2006

It’s very early in the morning, my favorite time of day – no distractions and a whole new day ahead of me. But today’s a bit different, it’s the day before I leave on a 3-month journey around the world to take on probably the biggest personal project of my life and I have a million details running through my heads.

Just the other day I wrote about the “what if mentality” and how we sometimes fall victim of sabotaging ourselves by talking ourselves out of doing things. And today I have a whole host of “what if’s” running through my head. What if we can’t get into Bangkok or get out? There’s a State Department warning advising Americans not to travel to Thailand and we’ll be traveling with a doctor going into the northern hills – not an easy place to get in and out of in peaceful times. What if one of us gets sick? What if something gets stolen? What if one of our 27 flights get canceled or delayed? What if I don’t get the material I’m after for the documentary?

Certainly, lots of trepidations but I’m a pretty savvy traveler and I’m about as prepared as anyone can be. I try to remind myself of that and focus on the incredible journey ahead of us. I’ll be sharing this experience with my 23-year-old daughter and that in itself will be something we’ll never forget and create a special bond between us for the rest of our lives. We’ll not only be circling the globe together, we’ll be working together to create a documentary on people who are making a positive change in the world. Those connections will be life changing, and in fact one of our hopes is that our film will inspire others to do the same.

So one more day of details and then we’re off – first stop Entebbe, Uganda by way of Johannesburg, South Africa. Our last stop is Buenos Aires, Argentina via the jungles of Peru. Lots in between – lots of laughs, tears, lands and miles. I will be writing as often as I can and uploading when “connected”. And if I disappear at times – you’ll know why. You can follow our journey at Opening Our Eyes.

May 21, 2010

The “What If” Mentality

These days it seems like we as a culture spend more time questioning “what if?” and talking ourselves out of things. I suppose it’s a lot easier not to take action on something. It’s a lot easier to do nothing. The problem with that line of thinking is that as much as it seems like a safe way to live life, it’s actually quite scary because ultimately you’ve eliminated opportunities and possibilities. You’ve left your fate to others.

I too have asked the “what if” question numerous times in my life. There have been many times when I’ve questioned if I should move forward on something and take the chance. But whenever I start to talk myself out of something, I flip the “what if” question around and ask myself “what if I don’t do this?”

Some years ago I was on assignment in Ireland and I spent a memorable morning with an Irishman who was quite a character and full of life itself. At one point we were driving around the countryside doing errands, and he told me about how his son had just spent a small fortune on a racehorse. I said to him “wow, that’s risky” and he replied, “yes, life is a gamble, isn’t it?”

Life is a gamble – you never know what’s right around the corner. To me that’s the beauty in it. I love to look back through history and contemplate how things could have turned out quite differently based on the decisions people made and chances that were taken.

We all set our course with every decision we make, or lack thereof. I think we all have the same amount of luck in our lives; it’s just that some people take notice of it and some don’t. I’d much rather take the chance and fail than ask myself “what If I had….” at the end of the day.

May 18, 2010

My DSLR Kit for a Three-Month Road Trip

For those who have been following this blog you know that I’m getting ready to depart for a 3-month trip around the world creating a documentary with my daughter – Opening Our Eyes. Here is what I’ve managed to fit into two backpacks – it just fits. Thank goodness there’s two of us.
Please follow our journey http://www.openingoureyes.wordpress.com

Canon 5D Mark II
Canon 7D
Canon 16-35mm 2.8
Canon 24-70mm 2.8
Canon 70-200mm 2.8
Canon 70-300mm 4.5
Canon 1.4X tele extender
Canon 2X tele extender
Nikon/Canon lens adaptor
Nikkor 14mm rectilinear lens f2.8
Nikkor 50mm 1.4
Nikkor 85mm f2
6 Batteries for Canon
1 Battery grip for 5D
3 Battery chargers
Remote control for Canon
AC adaptor for Canon
Rycote Hot shoe extension
4 – 16 GB flash cards – all cards – Sandisk UGMA
4 – 8 GB flash cards
2 – 8 GB SDHC cards
2 – 4 GB SDHD cards
Neutral density filter kit
Polarizer
Epson P6000 digital wallet
Zoom H4n digital audio recorder
JuicedLink DT454 audio preamp
Rode shotgun mic
Tram lav mic
Sennheiser Transmitter/Wireless kit
“Dead Cats” (windscreens)
XLR cords
Headphones
HD Hero helmet camera with attachments
Flip HD
ManfrottoTripod and fluid head
Small Matthews boom stand for mic
Reflector
Zacuto Z-Finder
Zacuto Striker Rig
Flex DSLR remote
Lacie Rugged Hard drives – 4000 GB memory!
Firewire and USB cords
3 – card readers
2 MacBookPro Laptops
1 extra laptop battery
1 extra AC adaptor for laptop
Kindle
iPod
Blackberry Tour
2 Scotte Vests – with 22 pockets in each

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