May 2012 – Journeys of a Hybrid

May 31, 2012May 31, 2012

Personal Projects

When I first started out in photography – professionally speaking – it wasn’t customary to show “personal work” to a potential “commercial” customer. At that time, in the late 70’s, art directors and designers wanted to see that you could “shoot” the things that they needed shot. So, if you aspired to shoot the

English: Double Stuf Oreos, by Nabisco. (Photo credit: Wikipedia)

Oreo cookie ads – you needed to have an image of Oreo cookies in your portfolio.

This was always a dilemma for me because my photography was “personal”. I became a photographer as a means to an end – the end being that it would enable me to live a lifestyle that I wanted to live. I knew early on that I wanted to live a life, full of people, places and adventures along the way. I wanted to live the kind of life that stories are written about. And, I wanted to get paid for it. I wanted to make that lifestyle the foundation of my career. How bold and naïve of me to think that I could make my business – my pleasure. Yet, somehow I managed to do just that and I have had the most extraordinary life because I was foolish enough to think I could.

Times have changed –they always do – and now art directors want to look at a photographer’s personal work. They want to see what a photographer “has to” shoot to fulfill their vision. It’s not only acceptable now to show personal work to a commercial client – it’s a must. And it’s never been easier for a photographer to show many facets of their work and career via social media platforms and blogs. It’s also a lot of hard work.

For me, it’s never been difficult to find something that I’m passionate enough about to be able to spend the kind of time and resources that’s necessary to complete it. I think that’s the key to starting and completing anything – it has to be something that you really want to do. If you don’t really want to do something, even though you know it will be a good thing to do, you’ll just end up giving yourself reasons and excuses whenever a task needs doing.

For the most part, my personal projects have picked me, not the other way around. They’ve all started with an idea that just wouldn’t leave my mind. Then I’d start to see my idea in vivid imagery as it played out cinematically in my head. That’s how my film project, Opening Our Eyes, got started – with an idea that planted itself in my brain, until it was time for me to act on it. Thankfully, the idea didn’t go away and that I did act on it. It’s hard to believe that I’m still acting on this idea, more than two years later. But, I have learned that making a film is a process. A young filmmaker told me that “a film is never finished – but there comes a time when you are ready to let go”.

I supposed you could say that this film has been my ultimate personal project. The fact that it was collaboration with my daughter Erin makes it even more personal. But the lines between work and personal and family have always been blurred in my life. That’s exactly the life that I set out to live.

May 25, 2012May 25, 2012

Finding Momentum

This past week has been kind of a “lost” week. I’ve been trying to get my body and mind back into gear after being away for a month – in China.

I had been in China for the past 4 weeks, teaching Chinese photojournalists, video journalism.

Before I left for China, I had been consumed with getting things ready for my trip, but that hadn’t been the only thing I needed to attend to before my departure. I was preparing for two talks that I had to present at the NAB Show (National Association of Broadcasters in Las Vegas, setup up a private screening in northern California for Opening Our Eyes as well as fulfilling the needs and travel logistics for three film festivals the film had been invited to. I had my hands full.

Before I even got on the plane to China, I needed a vacation. I had one night at home after being in Las Vegas for a week, before I left home for a month in China. Somehow, my body, mind and spirit got through the rigors of China. My students’ eagerness to learn and my good friend, Todd Joyce, who was one of the teachers, buoyed my spirits. Having someone there to bounce things off of while sharing peanut butter and crackers (a comfort from home) helped get me through some tough times.

This past week, my body just gave out on me after being depleted for so long. I happily gave into it, taking long naps, walking and just doing nothing. I’m slowly, getting back to “normal” but at the same time, I recognize a bit of a shift taking place in my life as I wait for the needed momentum before I turn the page to my next chapter.

Once again, I realize that in taking myself out of my “norm” at various points in my life, I am able to step back and reassess where I’m headed and look at my future path with fresh eyes. This month away – as hard as it was at times – has given me a new perspective on things that I thought were important. It has helped me to bring closure with some things in my life that had been played out.

My body, mind and spirit will let me know when it’s time to head into the next chapter of life. I’m not rushing it. I’m enjoying the simple pleasures of life – a cup of coffee, a walk in the woods or cuddling with my husband on the couch, watching mindless TV. Perhaps we’ll go to the beach this weekend and take a bike ride on the boardwalk in the early morning hours. Maybe take in a movie or have a hamburger off the grill. I’m taking it hour by hour and not planning a thing. I think that is probably one of my greatest joys right now is simply knowing that I can do whatever I want to do and whenever I want to do it. My liberties are back and that’s enough for me right now – until my momentum returns for life’s next chapter.

May 20, 2012May 21, 2012

Teaching and Learning – Four Weeks in China

It’s the start to a beautiful day in Brookside, NJ and I’m home at last after a long and arduous 4-week trip to China. I had been teaching Chinese journalists, video journalism or new media as they refer to it in China.

I hadn’t fully realized how hard “teaching” really is until after these past four weeks. To begin with, I was teaching a difficult subject – “how to produce and shoot short video stories”, to journalists at the “state’s” largest news and photo agency. I had 4 days to teach 4 weeks worth of material –how to think and shoot in motion, edit video stories and upload them online. To make things even more difficult, everything I said had to be translated by my interpreter to my students, making the instruction take three times longer.

Each week my students amazed me by their eagerness to learn, despite coming to the class with the bare minimum in the way of “tools”. Some students didn’t even have cameras that could shoot video. Some had dated low res video cameras and no one had any audio gear at all. When it came to the editing part of the program, their computers were under equipped to handle Adobe Premiere CS 5.5, which they had recently downloaded and installed on their PC’s. And yet, each class managed to produce a short story after less than four days!

This entire adventure was a lesson in collaboration. My students learned to collaborate. Like most photojournalists they were used to working solo, so collaborating was a foreign concept to them. But, collaboration is a common way of working when it comes to video and it was a necessity in China, because the students were lacking in gear.

I was part of a team of four teachers on this trip, so I too was working in a collaborative way. That was equally tough, as I am used to working as an independent producer and accustomed to making my own decisions. The other three photographers/teachers were also independent photographers, used to doing things their own way. Egos collided from time to time within the group, yet we ultimately knew we needed to maintain the “group” in order to deal with the angst that came with doing this job. On top of that, our Chinese hosts wanted to control us.

I think we all learned a lot about each other in the process as this adventure played out. I know I did. But, I also learned a lot about myself. Perhaps, this was the purpose of this trip – to learn more about myself and grow from the experience. Time will tell.

I can also say that I learned from my students. There is always one student who feels that they already know everything, and usually tries to “stump the teacher”. When this happens, I handle it with humility and thank the student for teaching me something that I did not know. I do not hide the fact that I don’t know everything. And then I take the opportunity to relay to the rest of the class, that I never want to stop learning, no matter how old I get. I tell them that in living this way, it has brought many rewards in my life and I encourage them to do the same.

I’m home now. It’s a beautiful Sunday morning in Brookside, NJ and I’m reflecting on my last weeks, which remained an adventure until the end. Chinese activist, Chen Guangcheng was on my flight from Beijing to Newark, NJ, seeking asylum in the US and making a new life for himself and his family. As Chen adjusts to a totally new life in America, I’m happy to be home again with my freedom and liberties in tact.

May 13, 2012May 13, 2012

What Really is the Future of Photography?

No one has a crystal ball so it’s really anybody’s guess as far as what the future of anything is. Anyone who tells you otherwise is simply a bull shitter and they probably have a bridge to sell you as well.

Does anything ever stay the same? One quick glimpse into history will verify that nothing stays the same. But sometimes, it difficult to “see” changes because for the most part, they happen slowly.

I’m of the mind that still photography is and always has been just one way to communicate. Images have the power to grab our attention and linger in our minds. If I were to ask you to think of 5 still images and to tell me what they are in just 1 minute – which images come into your mind – and why? Do they give you a reference of what what happening in your life, like a song does? Or are they disconnected bits of pixels?

Quite honestly, I’m bored with this subject of predicting the future and I’m beyond bored with talking about gear. Gear has nothing to do with communication. If it did, we could take the human being out of the equation. Is that going to be the future? Cameras everywhere, clicking away, recording what’s transpiring?

I used to say that video and motion was where things were heading. But I’m questioning that answer now. I see so many videos that don’t communicate anything, some just visual eye candy moving across the screen or the device du jour. But then there are a few long and short videos that suck me in and take me to another place – in body and mind. I see still images that affect me the same way, as well as good films. I think all of us can recite memorable lines and scenes of movies we’ve seen. They stay with us because they’ve hit a nerve or touched our hearts. They’ve told a story – they’ve moved us in some way. As a visual communicator that’s what a filmmaker is supposed to do.

I am a visual person. I like to write but I don’t think like a novelist, I think like a screenplay writer. Don’t misunderstand me, I would never even come close to calling myself a screenplay writer, but I do recognize that is how my mind works. I think cinematically – I think I always have.

For me, the only thing I would predict as far as the future is concerned is that we all seem to be moving to a more visual world in terms of how we communicate. Will the written word lose importance in the future?. I don’t think so, anymore than I think that talking with one another will disappear, although there I some days I wonder when I see groups of people in a bar and everyone is looking at their phones instead of talking to one another. Songwriters will still give verse to music. That is as old as man has been around. Technology has changed the way a musician “makes” his music and has certainly how it is distributed. What hasn’t changed is the emotion and thought behind a good song.

My future will surely be visual and I will use whatever tool best communicates the stories that are within me to tell. Other than that, I have no idea what is in our future and that is one of the greatest joys in life – to wonder and dream about what’s to come.

May 11, 2012

The Difference Between TV and New Media

It’s been a tough 3 weeks teaching video to journalists in China – perhaps the toughest thing I’ve ever had to do. It’s not the teaching part that’s hard – it’s knowing if what I am saying is being correctly translated to my students, it’s being away from friends and family and just being away for so long that makes it tough. I have one more week to go and will take a good long rest when I return to the US.

Last week was especially difficult but yet my amazing students got me through it. They simply amazed me in how quickly they learned. They learned in 4 days what it takes most photographers to learn in 4 weeks or months.

Every week I have a new group of students and each week there are always one or two students that I know really “get it”. There was one student who I coined a nickname for “Mr. Question” because he asked more questions than most. His questions weren’t just about what settings to use on his camera or how to do something in Adobe Premiere, but more about the “big picture”. His questions always showed me he was thinking.

One question, this particular student asked me this week, really caught my attention. He asked me “How are we (new media producers) different than TV?

Stephen-Lee-TV-News-Presenter SMALL (Photo credit: Wikipedia)

I had just read an article online that addressed this very question and it talked about how newspaper video journalists are now winning more Emmys than TV news journalists.

I responded to my student by telling him:

TV news makes the reporter part of the story – sometimes even the “star”
New media tells the story through the voice of the subjects – making them the “stars”

TV news is delivered to us on the network channels – 3 times a day.
Online news is 24/7 and on demand. We get the news online when we want it and wherever we want it – on our desktop computers, on our iPhones or on our iPads. We also can share the news and interact with others. We become part of the delivery chain.

TV news journalists rush back to the studio to get the story on air by 5 o’clock. The stories are generally very short – limited to their broadcast slot.
As new media producers we have the luxury of working longer on feature stories and delivering them online to a global audience. While print newspapers and magazines are folding – there has been a rebirth of the long documentary story that can now be delivered online. We are communicating to a wider audience around the world, no longer being restricted by time and space.

In the 1960’s newspaper executives were lamenting about the good old days and predicting that TV would kill them. I find it ironic that the shoe seems to be on the other foot now. I teach “motion” and “video journalism” to a lot of still photographers. There are some who buy their DSLR’s and aspire to make broadcast spots for TV. There are some who aspire to make feature length films for Hollywood. And then there are some who tell me that there is nothing new about video and that field is already glutted with videographers and cinematographers. Those are the old business models for video and motion.

The ones who “get it” are the hybrid creatures that recognize that there is a shift in the way we communicate. They understand that video is really just another medium in which to tell their stories – not a business model, nor a niche market.

My student in China who asked me this question- he “gets it”. He understands that he is part of the future of how Chinese journalists and others around the world, will deliver the news. That’s why they call it – new media.

May 5, 2012May 6, 2012

Pioneering in Video

I’ve been in China for the past two weeks, teaching video journalism to some of the best photojournalists in China. Last night at dinner, the top director of the program told me (via my interpreter) that Xinhua, China’s biggest news agency, was setting up their multimedia department to stay current with how news is communicated in this day and age. She thanked me for teaching and inspiring her journalists in this medium and said that I was an honorable “pioneer”.

I never set out to be a pioneer when I first started shooting video and motion in the mid ‘90’s – I merely recognized that when the “tools” of this medium became affordable, it was now possible for me to tell my stories in another dynamic way. But I never turned my back on still photography and I would say that it still makes up about 50% of my business – at least in the time that I devote to it. I would also say that while I spend 50% of my time split between both mediums – I make more than 75% of my income from shooting motion – capitalizing on not just making income from shooting video but also on the other elements like editing.

I started thinking about the aspect of being a pioneer and the more I thought about it, the more I realized that I wasn’t trying to set new ground at all – I was really just challenging myself and more importantly staying true to why I became a photographer and that was to communicate.

I’ve given a lot of workshops to still photographers who want to move into video. Generally there are two types of photographers – the ones who think that because they have been “shooting” for many years, they “just” need to understand a new mode on their cameras and the ones who embrace the fact that this is an entirely different medium and they understand that they are novices, and are eager to learn how to communicate in a different way. It’s usually the cocky photographers that fail miserably and end up with a string of unconnected “moments in time” to a music track.

Ever since the first DSLR that incorporated a video mode hit the scene, I’ve seen more and more still shooters, move into motion. After only a couple of months, I even see some of them teaching workshops. It amazes me, because many times some of these same shooters have been hypercritical of “amateurs” coming into their profession with their auto everything “point and shoot” cameras. I’ve had some shooters tell me that they aren’t going into motion, because they think that when these tools become easier to use and more automated – the same thing that has happened to the profession of still photography will happen in video. I disagree with this notion but more importantly I think that this attitude is usually a mechanism people use to talk themselves out of challenging themselves and are reluctant to “change. ” Just like when still photography moved from film to digital – the ones who got left behind were usually the ones who tried to convince themselves that digital would never be as good as film.

I cannot take credit for being a pioneer in video. There are many who came before me that were true pioneers and I feel that would discredit them and their efforts. I’m simply a storyteller and I’m happy that I’m still passionate enough about telling the story that I continue to find the best way to tell the stories that I am meant to tell.

Thanks to the gracious people in China and the Xinhua News Agency for recognizing and embracing the future and being keen to learn. Perhaps many of these students will not shoot multimedia – but learning how to shoot in motion has made me a better still photographer and will make them better shooters as well.

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