The Family Story

This time of year we all try to spend more time with our families and loved ones. It’s also a time when we reflect on the people who are no longer with us. For the most part we rely on our memories and some scattered photographs or home movies.

Mooney family dressed up for Easter. I'm the child smiling.

Some of the fondest memories I have of my mother, father and grandparents are of us sitting around the dinner table, long after the meal was over and listening to the family stories. Of course each person would tell the same story in an entirely different way – the way they remembered it.

Every family has stories – mine certainly does and I have started to collect information, photographs and even recordings of family members while they are still around to tell them. It’s such an easy thing to do with all the tools that technology has provided in the way of cameras and audio recorders.

I often think that as photographers and filmmakers we are not only the keepers of our own family stories but we are documenting the stories for other families through our images, recordings and videos. Here’s a recording of my Uncle Dorlen talking about fishing in Northern Michigan in the winter.

Family gathering at my Uncle "Frenchy's" memorial.

Essentially, we are creating an archive of our loved ones and the memories. And that is the most precious gift that I can give someone through the talents of my craft.

I was recently looking at someone’s vacation snapshots and it occurred to me just how precious those images are, certainly for the people in them and the people they know. I have always taken the family snapshots and have recently started video recording my relatives telling their stories through their own voices, preserving them for future generations.

So think about that – even if you just take out your iPhone or Flip this holiday season, start capturing life’s moments. You’ll be glad you did.

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Mistakes Still Photographers Make When Shooting Video With a DSLR

  • They don’t understand the importance of audio and don’t use external microphones. Audio is everything in video.
  • They think in “moments in time” and start shooting video too late or stop shooting too soon. You need to let the camera linger longer.
  • They don’t shoot sequences with a beginning, middle and end.
  • They don’t think in “storyboard mode” – You should ask yourself  “How will I get into and out of a shot and what’s next in the story?”
  • They don’t shoot enough B-roll with variations in angles and focal lengths – very important in the editing process.
  • They move the camera instead of letting the motion take place in front of the camera.
  • They turn the camera vertically. There aren’t too many vertical TV sets and monitors.
  • They don’t use a tripod forgetting that video is “time in motion”.  It’s one thing to hold a camera steady for 1/60th of a second and quite another to hold the shot steady for 10 seconds.
  • They don’t consider the frame rate and how that will affect workflow and editing.
  • Aren’t careful keeping their sensors clean from dust.  Retouching video is a lot more involved than spotting still images.
  • They “throw” some video clips in with the still photography job, not putting an added value on them and thus setting a bad precedent with clients.
  • They don’t consider the output and the type of file to be delivered.  There are dozens of formats and codecs in video.  Choose according to your target audience and viewing platform or device.

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Reconnecting with The Ancient Ones

What started out as a mileage run to the West Coast on Friday, turned out to be a day of interesting connections.  My plan was to fly out to San Francisco on Friday morning and return the next morning.  I needed one more flight – the cost of a cheap ticket – to reach the next level of my airline elite status. I have a pretty full travel schedule next year and the upgrade in status will be beneficial.

Since I had the time, I decided reconnect with an old college friend whom I hadn’t seen in over 25 years.  He picked me up at the airport and from the moment I got into the car until we parted company later that afternoon, it was like we hadn’t missed a beat.  Both older, yet fundamentally the same people we were back in college.  There was a comfortable feeling being with each other even though so many years had gone by.

Later that evening I had drinks with a colleague whom I had met a few years back at SATW’s (Society of American Travel Writers) conference in England. During the evening I mentioned a personal project I was embarking on “People Making a Difference” and queried him about story ideas and people he may know. That conversation led us to talking about the travels we’ve each had over the years.  We quickly discovered that we had made similar backpacking odysseys back in the early 70’s. We began to retrace the paths we had each taken – I spoke of traveling from Cairo to Beirut, then on to Damascus and through Iraq to Kuwait. He followed with a nearly identical itinerary and picked up the journey from Kuwait by boat to Abadon, Iran and overland to Afghanistan.  We soon realized that we had been to the same places during the same period of time.

We both commented on the fact that we never come across people in our lives that have had that kind of parallel experience.  He then told me a funny story. He had traveled back to India with his grown son when a young traveler came up to him asking for money so he could get something to eat.  My friend told the traveler about his own journeys when he was his age. The young traveler responded by saying “Whoa – you’re one of the Ancient Ones”.  My friend relayed this story to me and pointed out that traveler’s comment had been spoken in a manner of respect, the same manner of respect with which native indigenous peoples refer to their elders or “ancient ones”.

It was an unusual day where I set out to take a trip for the sake of miles and ended up reconnecting with my past on a couple of different levels.  I tend to look forward in my life rather than at the past but sometimes reconnecting with your past connects circles and reminds of us who we really are. I kind of like being an Ancient One.

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Video News

I came across some interesting things this week, so I am passing them along.

One was the much anticipated announcement of the debut of the Scarlet – a new camera from the same company that makes The Red. There have been a lot of rumors about this camera over the past year and it will be rolled out in 2010.  Check out Philip Bloom’s blog about it. And here’s another post on FreshDV with information about the Scarlet.

If you’re a Sony EX-1 shooter, here’s an interesting tip along with a how-to-video on using the Zacuto Z-finder with that camera. This viewfinder was made for the Canon 5d, but Martijn Schroevers found a clever way to attach it to the LCD of the Sony EX-1.

Next up is yet another new video camera format from Sony – NXCAM. The NXCAM can record 1920 x 1080 images at 24Mbps (50i or 25p), as well as supporting 720/50p and Standard Definition recording.
Very interesting but I wish these camera manufacturers would standardize formats and codecs.

I also came across a very interesting company called Wistia. They allow you to share and host your videos but in addition they offer heatmap tracking which gives you a visual spectrum of how your visitors watch your videos and what attracts them or confuses them.

And to give you an idea of how much web video viewing has exploded, here’s an online channel Expotv where consumers send in video product reviews. No fancy production values but an interesting concept of sharing information that has really caught on.

With all those news items I figured it was about time I changed my header – gone is that template blue – replaced by something more relevant to the blogger.

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Watching TV Without The Sound – A Lesson In Editing

Every morning I spend an hour on the treadmill while plugged into my iPod listening to music. Sometimes the TV is turned on but with the sound turned off. I have found that just “watching” TV and in particular the commercials, is a great way to learn editing technique. I’m not distracted by the audio so I can better see how the elements get cut together.

Commercials need to get their message out in 15 seconds so the cuts are generally quick and the story needs to be told in an efficient manner. Action-reaction shots, cutaways, close-ups, sequencing – all stand out to my eye because I’m not distracted by the sound. It makes for a great lesson in editing. I notice the visual storyline – what shots are bumped up together, how long they stay on the screen and how they all make up the whole in presenting the message.

Conversely, if I have the TV on in another room (with the audio) and I’m just listening, I can usually get the message without seeing any visuals. That’s why great audio is essential – it drives the story. If people can’t hear something or understand it because the audio is poor quality, the piece fails to engage.

So try it sometime. Watch TV without the sound and notice how the story is told through the visuals and how they are cut together. It will help make you a better editor. And then try watching a video that you create with and without the sound. It’s a great way to see if you are telling the story that you meant to tell.

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29 Years Ago Today – John Lennon Murdered

It’s hard to believe that it’s been 29 years since John Lennon was shot and killed outside outside The Dakota, his apartment building in New York City.

From the first time I saw the Beatles perform on The Ed Sullivan Show as a young girl in February, 1964, I decided that John was “my favorite Beatle”. There was something about him that appealed to me. Sure Paul was the cute one – but John was the …. well he just sort of struck me as more rebellious which was very exciting, even back then.

John followed his own path and used his voice to speak for Peace. After the Beatles broke up, he went on to have a great solo career and then when his son Sean was born, he pretty much left the limelight. He had recently resurfaced and had recorded a new album – and then he was killed.

I’ll always remember that night. I was watching the local NYC 11 o’clock news that had been delayed because a football game had gone into overtime. Half way through the anchor’s report came a breaking news bulletin saying that an unnamed man had been shot outside the Dakota, on West 72nd St. I instantly got a jolt and somehow knew that it was John Lennon and within a half hour it was confirmed that Lennon was dead.

The following week was a sad one in NYC. People gathered in Strawberry Fields, a section of Central Park that John and Yoko used to frequent. Night after night there were candlelight vigils and people took solace in each other’s company.

The entire world mourned the loss of John and along with that went any and all hopes that the Beatles would get together again.

Rest in peace John. You made a difference in many people’s lives.

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And Me Without My Camera

I flew out to LA on Friday and had a free afternoon before giving a seminar the next day. I had packed light.  I was only in town for a short stay and most of it devoted to my presentation. So I left my cameras at home.

I was staying in Santa Monica so when I got into LA that Friday afternoon  I headed to the Santa Monica Pier. It was the quintessential California day – weather wise bringing back a lot of memories from when I used to live in Santa Barbara. For anyone who has ever been to the pier you’ll understand when I say it was like a circus of vibrant visuals.  Within a matter of minutes I was regretting the fact that I didn’t have a camera. And then a funny thing happened – I started recording the visuals in my head and using words instead.

  • Colorful bumper cars against a bright green wall that vibrated in the late afternoon light.
  • Two men crossing paths each recording their own observations with their mobile devices silhouetted against the glare of the sun on the water.
  • Garry King  “on the scene” the street musician doing his own thing pumping out smooth sounds that drifted off in the wind.
  • A man who looked like Santa Claus and sounded like Cat Stevens singing the House of the Rising Sun, quickly followed by I’m Dreaming of a White Christmas.
  • A fisherman  weathered and alone.
  • A 400 lb mime painted silver and pulling his pedestal down the pier behind him.

Today as I headed to the airport in my rented hybrid car an old flatbed pick up, era 1920’s pulled up beside me at the light. For an instant I locked eyes with the old Mexican gentlemen who gave me a quick smile and I thought to myself – and me without a camera.

Maybe it’s time for me to get an iPhone.  If only the phone part was better.

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Print vs Electronic – What Is The Future?

Just yesterday I was talking about the good and bad of social media and the potential pitfalls with time management. My routine each morning is to check for any news items on Twitter or Facebook or bookmarked blogs after catching up on my email. This morning there was one post on Facebook that caught my eye and was definitely worth the click through.

Via Mashable.com was Time Inc. Show Us Their Idea of The Future of Magazines [Video]. It was about how publishers are preparing digital versions of their magazines for the Apple Tablet. Apple hasn’t even officially confirmed they are working on this device. Embedded in the post was a pretty sophisticated demo of Sports Illustrated.

Amazing as the demo was – it had its critics. Check out Gizmodo’s post Time’s Manhattan Project Will Explode Like the Atomic Bomb It Is. The article questions how it’s any different from a web page and at ten times the cost. They state it’s pretty packaging but still stale and dead.

The future of publishing is an interesting debate. I suppose it really all comes down to how we the consumers want our information. What do you think?

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Input Overload

John Lennon once voiced in a song “everybody’s talking and no one says a word”. That was 30 years ago – way before social media. Nowadays it seems like everyone is talking – everywhere – a constant electronic pipeline into our lives. But with all this talking I wonder sometimes if anybody is really being heard. And isn’t that the point – to be heard?

I admit I’m guilty of the same thing. The very fact that I write a blog adds to the cyber babble. To be honest I really do it for myself. It helps me focus my thoughts. Sometimes what I write is not meant for anyone other than myself or maybe a close friend. Other times, I put it out there when I feel I have something to share. And every once in a while I say something that resonates with someone “out there” and a connection is made. And that can be a powerful thing.

That’s the appeal of social media – to connect with others. A basic human need. Ironically sometimes we spend so much time in the cyber world “connecting” we become more insular in the process. And when we do spend face-to-face time with others – many of us are multitasking plugged into whatever portable devices we have at the time. In other words not totally “there”.

These days I try to manage the time I spend on Facebook, Twitter, Linkedin, YouTube and so on. It can be a real time suck if you’re not careful about managing your time. I go online with the social media sites 2 or 3 times a day and I give myself time limits when I do. It’s all about maintaining a balance.

Ultimately all this talking we do on social media platforms is not good or bad – it’s not that black and white. I’ve made some incredible connections through social media. I’ve also reconnected with people I’ve lost track of over the years. I’ve promoted my business utilizing social media and gotten work from people I wouldn’t have connected with otherwise. But I’ll always prefer a real connection with people – outside the cyber world. I think most people do – that’s just being human.

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Wipe Your Knees Before Entering

Back in the eighties when I was starting out, every six months or so I made the pilgrimage to Washington DC to see Bob Gilka, The Director of Photography at the National Geographic Magazine.  He was the guy who decided if you would shoot for the magazine.  He was accessible, answered his own phone and made appointments to look at work. How times have changed.

Gilka was a man of few words and because of that seeing him was always a bit intimidating.  If all you had were images to show – and nothing to say, you’d pretty much be in and out of his office in the amount of time it took to click through your slides. Knowing this, I did my homework prior to the appointment. I’d come up with about 10 query ideas, research back issues of the magazine to make sure they hadn’t been done before and have at least one idea written up in a story proposal.

I’ll never forget the first time I went to Gilka’s office.  His secretary met me in the lobby, and led me to a small area just outside his office.  There on his door was a doormat –with words that read “Wipe Your Knees Before Entering”.  Talk about feeling intimidated – as if it wasn’t intimidating enough just to be meeting with the Director of Photography  at the  National Geographic.

So every six months or so I would show my images and pitch my ideas.  This went on for about two years.  Each time I went I would almost test myself to see how long I could stay in his office.  I would do my best to sell my story pitches that I felt the strongest about and he would reply – “done it –doing it – or – don’t want to do it”.  This coupled with a few words of encouragement in regards to some of my photographs would pretty much be it as far as feedback.

Then one day he kept me waiting.  He had been detained in a meeting.  I had scheduled a pretty tight day to maximize my trip to Washington – so the delay had thrown a wrench into me keeping my other appointments that I had scheduled.  When Gilka did show up and apologized, I was already feeling quite anxious and showed it.  I told him that I didn’t have much time because I had to be across town at the Smithsonian in 20 minutes.  He picked up the phone, called Declan Haun, the picture editor I was headed to see at Smithsonian Magazine and explained that Gail Mooney was running late due to his tardiness.  Then he proceeded to look at my pictures and hear me out.

When I did get to the Smithsonian, it was amusing to see how curious Declan Haun was to find out who this Gail Mooney was that got Bob Gilka to call ahead for her. The very next month, I got a call from Bob Gilka offering me my first assignment.  Guess I just needed to show my real self. I had sufficiently shown my interest and determination in wanting to shoot for them. And I had demonstrated my photographic ability through my images.  But it was when I showed my true spirit that he knew that I could shoot for them.  I just had to get over my fright.

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