Personal Projects

When I first started out in photography – professionally speaking – it wasn’t customary to show “personal work” to a potential “commercial” customer.  At that time, in the late 70’s, art directors and designers wanted to see that you could “shoot” the things that they needed shot.  So, if you aspired to shoot the

English: Double Stuf Oreos, by Nabisco.
English: Double Stuf Oreos, by Nabisco. (Photo credit: Wikipedia)

Oreo cookie ads – you needed to have an image of Oreo cookies in your portfolio.

This was always a dilemma for me because my photography was “personal”. I became a photographer as a means to an end – the end being that it would enable me to live a lifestyle that I wanted to live.  I knew early on that I wanted to live a life, full of people, places and adventures along the way.  I wanted to live the kind of life that stories are written about.  And, I wanted to get paid for it. I wanted to make that lifestyle the foundation of my career. How bold and naïve of me to think that I could make my business – my pleasure.  Yet, somehow I managed to do just that and I have had the most extraordinary life because I was foolish enough to think I could.

Times have changed –they always do – and now art directors want to look at a photographer’s personal work.  They want to see what a photographer “has to” shoot to fulfill their vision.  It’s not only acceptable now to show personal work to a commercial client – it’s a must.  And it’s never been easier for a photographer to show many facets of their work and career via social media platforms and blogs. It’s also a lot of  hard work.

For me, it’s never been difficult to find something that I’m passionate enough about to be able to spend the kind of time and resources that’s necessary to complete it.  I think that’s the key to starting and completing anything – it has to be something that you really want to do. If you don’t really want to do something, even though you know it will be a good thing to do, you’ll just end up giving yourself reasons and excuses whenever a task needs doing.

For the most part, my personal projects have picked me, not the other way around.  They’ve all started with an idea that just wouldn’t leave my mind. Then I’d start to see my idea in vivid imagery as it played out cinematically in my head.  That’s how my film project, Opening Our Eyes, got started – with an idea that planted itself in my brain, until it was time for me to act on it.  Thankfully, the idea didn’t go away and that I did act on it.  It’s hard to believe that I’m still acting on this idea, more than two years later.  But, I have learned that making a film is a process.  A young filmmaker told me that “a film is never finished – but there comes a time when you are ready to let go”.

I supposed you could say that this film has been my ultimate personal project.  The fact that it was collaboration with my daughter Erin makes it even more personal.  But the lines between work and personal and family have always been blurred in my life.  That’s exactly the life that I set out to live.

What Really is the Future of Photography?

Luis Javier Rodriguez Lopez, done for wikipedi...
Luis Javier Rodriguez Lopez, done for wikipedia, might be found at my webpage in a future; http://www.coroflot.com/yupi666 (Photo credit: Wikipedia)

No one has a crystal ball so it’s really anybody’s guess as far as what the future of anything is.  Anyone who tells you otherwise is simply a bull shitter and they probably have a bridge to sell you as well.

Does anything ever stay the same?  One quick glimpse into history will verify that nothing stays the same.  But sometimes, it difficult to “see” changes because for the most part, they happen slowly.

I’m of the mind that still photography is and always has been just one way to communicate.  Images have the power to grab our attention and linger in our minds.  If I were to ask you to think of 5 still images and to tell me what they are in just 1 minute – which images come into your mind – and why? Do they give you a reference of what what happening in your life, like a song does?  Or are they disconnected bits of pixels?

Quite honestly, I’m bored with this subject of predicting the future and I’m beyond bored with talking about gear.  Gear has nothing to do with communication.  If it did, we could take the human being out of the equation.  Is that going to be the future?  Cameras everywhere, clicking away, recording  what’s transpiring?

I used to say that video and motion was where things were heading.  But I’m questioning that answer now.  I see so many videos that don’t communicate anything, some just visual eye candy moving across the screen or the device du jour.  But then there are a few long and short videos that suck me in and take me to another place – in body and mind. I see still images that affect me the same way, as well as good films. I think all of us can recite memorable lines and scenes of movies we’ve seen.  They stay with us because they’ve hit a nerve or touched our hearts. They’ve told a story – they’ve moved us in some way.  As a visual communicator that’s what a filmmaker is supposed to do.

I am a visual person.  I like to write but I don’t think like a novelist, I think like a screenplay writer.  Don’t misunderstand me, I would never even come close to calling myself a screenplay writer, but I do recognize that is how my mind works. I think cinematically – I think I always have.

For me, the only thing I would predict as far as the future is concerned is that we all seem to be moving to a more visual world in terms of how we communicate.  Will the written word lose importance in the future?.  I don’t think so, anymore than I think that talking with one another will disappear, although there I some days I wonder when I see groups of people in a bar and everyone is looking at their phones instead of talking to one another.  Songwriters will still give verse to music.  That is as old as man has been around.  Technology has changed the way a musician “makes” his music and has certainly how it is distributed.  What hasn’t changed is the emotion and thought behind a good song.

My future will surely be visual and I will use whatever tool best communicates the stories that are within me to tell.  Other than that, I have no idea what is in our future and that is one of the greatest joys in life – to wonder and dream about what’s to come.

Teaching Video Journalism in China

Chinese flag, Beijing, China.
Chinese flag, Beijing, China. (Photo credit: Wikipedia)

I’m sitting in the Continental (United) airport lounge at EWR, waiting to board a flight for Beijing.  I’m headed to China for 4 weeks to teach Chinese journalists, video journalism.  My mind is spinning with ideas, questions and the usual array of “what ifs” as I take on another adventure.

About two years ago, I started saying “yes” to opportunities that presented themselves to me – or at the very least, I began to consider opportunities, rather than to talk myself out of things, right off the bat.  Because, of that mind set, I’ve been going where life seems to take me and it has presented quite a few interesting adventures.  It’s not that I’m foolhardy and doing things on a whim – it’s that I have been listening to myself – my inner voice – and it has been my guiding force.

I’m told that the Chinese are hungry for “western” knowledge.  But what I have to teach them is something universal, and that is – how to tell a story – using the medium of video.  Seems so basic and simple – how to tell a story – and I suppose it is, but like anything else, it’s simple if you understand it.  The key to understanding something is to have the desire to learn.  Some people say they want to learn – but that’s different than really having the desire to learn.

Some folks feel threatened by this seemingly insatiable desire of the Chinese to learn all things western.  I’m also finding that when people feel threatened by something – they try to “stop” whatever it is they are feeling threatened by.  It’s one of those stupid human tricks that folks have played since the beginning of mankind.  I process this behavior pattern as unproductive and unsustainable. It rarely works as far as eliminating a perceived threat.  You simply can’t totally eliminate desire.

Rather than stop others from growth – a better way is to better yourself.  I’d rather put my energies into where I want to go in my life – than in trying to squash other people’s hopes and dreams.  I’ve also found that what goes around – comes around.  When you “give” and “help” others – you ultimately create a better world – or “space” for everyone.

So, as my mind races this morning with my hopes, my expectations and enthusiasm – I try to keep the nagging doubts and fear at bay.  I tell myself that it’s natural to have concerns.  But I also tell myself that I can either let my concerns consume me and turn into fear or I can welcome the “unknown” and embrace the opportunity at hand.  I’ll let my inner voice guide me because it seems to be doing a good job.

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The Love and Angst of Learning

I don’t think there has ever been a point in my life when there wasn’t something that I didn’t want to learn about.  I’m just a very curious person who has an insatiable desire to learn. I’ve been learning about filmmaking over the last two years and I am addicted to learn more.  I am realizing that I have always thought in a cinematic way.  As a photographer, I saw my stories as films – a pagination of images – combining to form the story in my mind’s eye. I am so intrigued right now with the craft and structure of screen writing, and want to learn more.  I have a story in my head that I want to “get out” and I see the visual elements playing out in my head.  Now, I’m starting to “hear” the story and the words and I want to learn how to craft those elements into the beginning of a screenplay.

Last Christmas, I got the Rosetta Stone course for Spanish.  When I was traveling with Erin in South America, she became my translator and I was really frustrated that I couldn’t understand the language, so I vowed to learn Spanish.  I’ve been trying to squeeze in the time to learn electronically, but it’s so hard for me.  Languages have always been difficult for me – even English.  Really the only way to learn a language is to immerse your self into it.  I try to tune into conversations when I hear Spanish being spoken and make feeble attempts to participate.  Slowly, I’m getting better but I doubt I will ever be able to roll my r’s.  I have found though that when I “relax” and imagine myself as someone who is fluent in the language, I do much better.  The same thing happened when I was in New Zealand last fall and I got on an ATV vehicle for the first time.  I just pictured myself as being one with the machine and I did just fine.

Lately, I’ve been teaching myself editing with Adobe Premiere.  With Final Cut Pro going to a completely different program, I wanted to expand and learn Premiere.  But, what really prompted me to learn is that I will be going to China for a month, to teach Chinese journalists how to “tell stories in motion”.  I knew I needed to learn an editing application that was cross-platformed and Adobe Premiere was the obvious choice.  Learning Premiere has been easy, especially with Lynda.com. I am such a big fan of Lynda.com. Of course, knowing how to edit helps.  Essentially it’s not much different than Final Cut.  Things are named differently, but the basics are the same.  There are also a lot of things that I love, especially the easier integration with other Adobe products like After Effects, Photoshop and Bridge.  Now the Adobe Suite has a screenwriting application, Story. Could that be the nudge needed to follow through on the screenplay that’s beginning to play out in my head?

So, my learning path continues. But I’m also playing my part by passing along what I know.  Things have a way of coming full circle.

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Value

Thomas Alva Edison
Thomas Alva Edison (Photo credit: Wikipedia)

I’ve heard this word an awful lot lately. I’m in Palm Springs, CA attending an ASMP National Board meeting. Our meeting has coincided with the timing of the Palm Springs Photo Festival, where dozens of photography influencers, buyers and makers of contemporary photography gather. Almost every conversation I’ve had in the last couple of days have been about “value”.

Most successful photographers or business people in general, would probably define “value”in monetary terms. To be successful, one has to sell the “value” of what they do, and how that translates to real dollars for a potential client. Now, in my opinion, to be good at any sales you have to either really believe in your product or be a very good actor – or both. My point is that to sell your “value” you have to start by first valuing yourself.

There have been days when I’ve beat myself up by allowing my self to feel “devalued” by how someone else acts toward me – it could be a client, a colleague, a relative, a friend – any human with an ego. I try to remind myself that my “value” is in staying true to myself, because that is what makes me unique and not just a commodity. There’s so many workshops and consultants these days teaching “how to’s” – from using gear, to selling photos, making a movie, branding yourself and on and on and on. I think we are all so overwhelmed at times that we don’t even remember who we really are.

At the end of the day your value is in how you perceive yourself and a strong sense of self has to come through if you want to sell your “value” to someone else. That sense of self usually comes from “doing”. When you are out there “doing”, you’re creating opportunity to happen. That’s something I am passionate about – the possibilities and the wonderment in that. When that passion comes through in your interactions with others – it’s positive energy that people can feel and most people are attracted to positive forces.

I must warn you though, that there are many people out there who will try to take advantage of someone who so passionate about what they do – and usually the human ego is involved. That’s ok, because when you determine your value and stop letting others determine it for you, it becomes much easier to deal with people who get gratification in undermining others.

There’s a wonderful scene in an old movie where Spencer Tracy plays Thomas Edison. Tracy (Edison) is in the office of a potential buyer of one of his inventions. (I’m using arbitrary figures to tell the story) The potential buyer was clearly an egotistical miserable guy and he throws out a price of let’s say $10,000 to Edison in a condescending way. Edison stands there speechless – literally speechless and the “buyer” begrudgingly says – “OK, $20,000” and Edison remains speechless. This goes on until the “negotiation” gets up to $50,000 and Edison finally manages to say, “OK” and they shake hands. The investor starts laughing in Edison’s face and shouts out “I was prepared to go to $100,000” and continues to laugh. Edison turns around as he is walking out the door and says, “I was prepared to accept $1,000”.

What does that say about value?

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10 Things I Learned by Making a Movie

I’m sitting in the airport lounge at LAX looking out over a rain soaked tarmac – in a mellow mood. One of those rare days when nothing really needs attention. I ran into a friend on the flight out from EWR to LAX , who had noticed that I hadn’t been writing as much of late. That’s true enough, for a couple of reasons but the simple answer is I just didn’t feel the urge.

I started writing when I needed to sort things out in my head or I happened to be thinking or experiencing something that seemed worth sharing. At times, I suppose I get very personal – that’s what I have been told. That’s comes with sorting things out in my head.

Today, I’m thinking about what brought me to LA and that is the fact that I made a film – a 76 minute documentary. I‘ve never had any formal training in the way of film school, although I have often fantasized about going to NYU and getting my Masters in film. But in the interest of time, at this point in my life – I did what I’ve done a lot in my life and that is , I just decided to “do it” – in this case, make a film.

So what did I learn?

1. The story is everything – it’s everything.
2. It IS possible to make a good film without a big crew and a Hollywood budget and lots of gear.
3. You have to have desire – when you have a small crew and a tiny budget, you do a lot more of the work yourself – so you have to be passionate about what you are working on.
4. Festivals are competitive – at least the “big” ones. Are they important? They are as far as building awareness, especially for a narrative film. For me, a festival provides an opportunity to interact with an audience and get feedback. I didn’t make this film to keep it a secret.
5. The film will take a lot more time than you can imagine, especially if you don’t have a big budget.
6. There is a cinematic language and necessary ingredients to any successful film – one being – a film needs contrasts and opposites or opposition.
7. PR and marketing is essential and most filmmakers do not dedicate enough money toward this end.
8. There are so many paths to distribution these days – DVD’s are dying out and VOD and downloads are taking their place.
9. It’s almost unheard of for a filmmaker to “own” their content – most have partners and/or investors – active and otherwise. I can’t tell you how many times, eyebrows have gone up when someone asks me who owns the film and I tell them, “I do”.
10. A film is never finished – but there comes a time when you are ready to let go.

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A Time For Everything

Have you ever had days when you’ve had dozens of pressing items that need attention, yet somehow you just can’t seem to concentrate, no matter how hard you try?  Your mind just seems to drift.  Today is one of those days for me. My mind is scattered and my thoughts are thrown in a million different directions.  Is it a bad case of spring fever or is it the beginning of something less temporary?

Spring is upon us, along with that annual feeling of “new” and “fresh” that comes with it.  It’s a time of year when everything feels hopeful, especially after coming out of the dark days of winter.  This winter was harsh – not in terms of the weather but in what my spirit endured.  Things seem to come in cycles – the ups and downs of life – careers, finances, relationships – the wins – the losses.  All the stuff that goes into a life well lived.

Today my mind is drifting back to memories of those magical, lazy days that seem to be burned indelibly into memory – a rainy day conversation at a plantation in Mississippi, a long walk through Central Park with a friend on an unhurried autumn day, an afternoon on the beach, lingering long after the crowds had gone, to watch the last glint of light on the water – and so many other memories of life’s “quiet moments”.

These are the days that make up a life well lived.  It’s days like today, when I take time to remember that,  there is indeed a time for everything.  Maybe today is a day I just needed to enjoy the day itself , and welcome the spring – and the hope that comes with it.

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For the Pleasure of It

Many years ago, I had one of those memorable dream assignments. I was doing a story for the National Geographic Traveler on Manor Homes in Ireland – places where tourists could stay.  They ranged from small, historic homes to grand estates. My husband and daughter came along, because this was one of those opportunities I wanted to share with them.

One of the homes we stayed in was actually a large farm owned by the Allen family.  It was a delightful family and everyone was involved with the operation of the farm, the restaurant and inn, and the food – the glorious food.  When I arranged the dates to photograph this property, the inn was full, so they graciously put us up in their private quarters.  That ended up being a blessing in many ways.

One morning, Mr. Allen, the patriarch of the family told his son Rory that he was going to the village to get a flat tire fixed.  When he returned, Rory asked his father how much they had charged him.  His father replied “they did it for the pleasure of it.”  There’s not a day that I don’t think about that remark.

I have never thought of my work as “work” at all.  The line between work and pleasure has never been present in my life – at times it has been a blurred line at most. Sometimes because I didn’t make this distinction, I found it difficult to stop “working” at the end of the day.  My husband, who is also my partner, would occasionally tell me “enough” – but for me there were days it was never enough.  I was doing exactly what I wanted to be doing.

I attended the San Luis Obispo International Film Festival last week as one of the filmmakers who had a film in the festival.  It was incredible in so many ways.

Erin, Gail and Tom at the San Luis Obispo International Film Festival

For starters, I got to share it with my family and friends.  I watched films, went to symposiums and workshops and networked with all sorts of people at parties and events.  It was my reward for all the blood, sweat, tears, hours, days and months that I have invested in this project.

As I met and talked with other filmmakers last week, I was reminded of why I was here, with a film at a film festival. I’ve been doing my work “for the pleasure of it.”  It’s what I love to do.

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Paying it Forward – It’s Amazing

I got the best email yesterday. It was from a young man who had attended a seminar I had given at Yale for ASMP on “Should I Be Thinking of Video”. I remember that evening well. I had recently returned from a 3-month journey circling the globe with my daughter creating a documentary on people making a positive difference in the world.
I was still very much in the same head-set that I had been for the past few months – one full of peace and belief in myself. I had just come off an intensive period where I was “walkin’ the walk” and I was practicing what I preached.

The young man, Brian, wrote, that he had attended my seminar with his father, who was a photographer and that he, himself had grown up wanting to make movies. So, my seminar was a perfect combination for them. Then Brian wrote “That night you inspired me.” My heart jumped when I read it. He went on to remind me of things that I had said that evening – about overcoming fears in order to realize your dreams – in my case traveling the world to make a movie. Leaving the known behind – for the unknown. Telling yourself “yes” instead of giving yourself reasons not to.

Brian said that he had recently landed his first job of his career as a structural engineer. He loved it, but he also had a great desire to travel. That night he went home and furiously “googled” anything about traveling the world and beyond. He came across the website of “Engineers Without Borders” and as serendipity would have it, they were having their monthly meeting that week.

To make a long, but interesting story, short, Brian went to that meeting that week, and talked with some people during a break who were organizing a trip to a village in India.

©Brian Skelcher

Then they invited him to go with them in February. He was astounded. And then he did the same thing many of us do in similar situations – he started giving himself every rational reason why he shouldn’t/couldn’t possibly do something like this. In Brian’s case – how could he ask his new boss for 3 weeks of time off?

That night when Brian heard me speak, was about a year and a half ago. In the email he sent to me yesterday, he talked about spending the last year editing his 15 hours of footage, down to a 40 minute piece. He told me that it hadn’t been easy and that he frequently read my blog posts where I had written about my similar experiences with post-production – magnified. What I had shared had helped him through it – angst and all.

My favorite line in his email read:

“So, I’m finally done with my movie, although there’s things I wish I had done differently, I did my best and I’m glad it’s finished! The final product is one thing, but the journey to get there is another, and the past 18 months have been such an amazing experience for me! I owe it all to you! Sorry for the long email but I’ve been waiting 18 months to tell you my story!!”

Brian just launched a Kickstarter campaign to send another engineer to Nepal for a similar project. You can find out more about it here: http://www.kickstarter.com/projects/videotaping/welcome-to-abheypur-the-movie

I think back on that evening and the year and a half in between. I’ve gone through two tough winters, doing the kind of work that needs to be done, but nevertheless takes its toll on my heart and my soul. That evening, my spirit was alive and well. Brian and others felt it and it moved them to a place they wanted to be. And now, after a tough winter, that same “energy” has come back around to me through Brian’s email. It has reminded me to stay the course and stay on purpose. Thanks Brian.

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Monetization of Photography in Spite of a Lousy Economy

I talk to a lot of photographers. I don’t define the word “photographer” by the type of camera he or she shoots with. Whether someone is shooting with a still camera, a traditional video camera, a motion picture film camera or a hybrid camera that shoots both stills and motion – a “photographer” these days is apt to embrace more than one of these tools.

Regardless of the tools you may use, I’ve come up with a few tips on how photographers can stay afloat and make money in this continued stagnant economy.

  • Think outside the box – don’t think of yourself as one who just shoots still images. Even your “still” clients will have a need for motion imagery these days.  It may not warrant the need for them to hire a big video production crew to make a broadcast spot.  But it could be one of your corporate clients needs a “talking head” for their website. Even if you don’t shoot motion or don’t want to – collaborate with someone who has these skills to fill your client’s needs instead of sending your clients  elsewhere.
  • You don’t need someone else to commission your services in order for you to make a living. When photographers take on personal projects, not only are they creating a buzz and getting noticed by potential clients, they are also creating their own “content” to monetize. It is possible now to get our content to market without the need of a middleman. Portals are open and plentiful to all.
  • Take advantage of what is “free”, rather than be put out of business by it. There are so many ways to build your brand and get noticed without spending a fortune. The costs of building and maintaining a website have dropped significantly because of advances in technology. And utilizing social media to create a buzz and get the word out about your company is virtually free with Facebook, Twitter,LinkedIn and YouTube. But be prepared to do the work and discipline yourself because this territory is ripe with distractions.
  • Re-purpose your content. If you’ve been blogging or have something useful to share – consider packaging your “knowledge” into ePubs, podcasts or “how to” webinars. One thing I’ve learned about making an ePub is that you can either do it yourself or hire a formatter so that it gets to market quickly – via Amazon, Barnes and Noble or the iTunes platform. Price it right – and offer more than one ePub at a time. (I’m working on my 2nd ePub now) In this market, if someone has just spent $3 or $4 to buy your ePub and they see you have another one for sale – it’s not a big stretch for them to buy that other book you offer at the same time.
  • Collaborate with others. Partner with others to put on webinars, podcasts, call in phone seminars etc. Use this opportunity to build your own brand. Don’t always feel that you have to be the only “act” offered. In fact many times, if you join forces with other creatives, it will get you further than if you are the only speaker in a half filled room. Get out there and get noticed and learn from your colleagues at the same time.
  • Be authentic. I cringe when I write that word because it has become a bit trite. I guess in a way I have always been authentic. In fact I just can’t help myself. If you are true to yourself, you will be ready, eager and able to work hard on your dreams. And hard work is exactly what is necessary to make it in this profession.  You’ve got to want it bad enough in order to do the work. If you are a clone of other photographers, you’re career will be short lived. I guarantee the photographers that you are emulating will be “moving on” because their passion is driving them to new things. So, what happens to the cloned versions then?
  • Don’t focus solely on the money. Easy to say and really hard to embrace when you can’t pay your mortgage. But look at any successful person – I don’t care which business you choose to look toward in terms of finding successful people – but you’ll see that most people who have “made it big” were not driven by the money. I’m not saying that money is not important, but if you are solely focused on the money and not on the act of creating – it will show.   Being too focused on the  money part of the equation, can sometimes push it away. People sense it. It’s human nature to want to be around a “winner” – not someone who is begging for a job to keep them afloat financially.
  • Be patient. Everything turns around. While the old days and ways of doing things won’t come back, better opportunities will replace them. Don’t be paralyzed by your own fears. Do what you can that won’t cost you a lot of money and there is plenty you can do. Work social media, learn new skills – audio, editing, writing etc., network with people, create new content for ePubs, webinars, and podcasts. Use your imagination, pursue what you are passionate about and when the economy turns around – you’ll be ready.

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