Golden Days – a Life in Photography

I’ve been sifting through a lifetime of images over the last few weeks, in a myriad of formats – prints, transparencies and digital files. Gail Mooney - early 1980's - New York CityWhat started out as a simple quest: to find photos of my daughter Erin at various ages in her life, for a bridal shower “game”, quickly turned into a major,  yet wonderful distraction.  I was looking through the visual archive of my life – my husband/ partner’s life – Erin’s life and all the family and friends that made up a lifetime.

In the “old days” it was more of a working chore to take photos of casual gatherings.  You needed to bring a camera, a flash and  lenses with you (not to mention film), to be able to document various life events.  Now, with cameras with us at all times in our phones, we are able to capture and share the moments of our lives, easily and all the time.  Sometimes, it almost seems like we are more intent on capturing and sharing our “moments” than we are just living those moments.

I can tell you that experiencing something through the lens of my camera is a totally different experience than just “being in the moment” for me. There have been times when I’ve been intensely photographing something, when I didn’t really feel like I was experiencing “the moment”.  I was shooting “the moment” but I wasn’t part of it.

My camera(s) have been a major part of my life.  They have provided me access to my dreams and still do.  As I looked through the decades of images, it was like reading chapters in a book, each unique yet connected and integral to my life’s journey.

As I thought about my journey, I realized that if I had one big “take away” – my curiosity for life is what drove me. There was always something I wanted to try or do or learn about – and so, I did.  That usually put me in a position where I moved forward, rather than be left behind.  I was lucky because it was organic to my nature.  I was smart and maybe a little brave because I listened to myself.

My passion nowadays is to photograph and film others’ stories as my continued curiosity leads me to another chapter in my life.

Enjoy and savor every one of life’s moments – they go by in the blink of an eye.

“With my maps and my faith in the distance – Moving farther on”     Jackson Browne

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Wipe Your Knees Before Entering

I just learned that Bob Gilka, legendary Director of Photography at the National Geographic for over 20 years passed away yesterday.  He was 96 years old.  Bob was the “real deal” and he will be missed by many, but his legacy lives on in all the photographers careers that he shaped and mentored. I am reposting a blog that I wrote about Bob on December 1, 2009.  Rest in peace Mr. Gilka.

Back in the eighties when I was starting out, every six months or so I made the pilgrimage to Washington DC to see Bob Gilka, The Director of Photography at the National Geographic Magazine.  He was the guy who decided if you would shoot for the magazine. doormat2  He was accessible, answered his own phone and made appointments to look at work. How times have changed.

Gilka was a man of few words and because of that seeing him was always a bit intimidating.  If all you had were images to show – and nothing to say, you’d pretty much be in and out of his office in the amount of time it took to click through your slides. Knowing this, I did my homework prior to the appointment. I’d come up with about 10 query ideas, research back issues of the magazine to make sure they hadn’t been done before and have at least one idea written up in a story proposal.

I’ll never forget the first time I went to Gilka’s office.  His secretary met me in the lobby, and led me to a small area just outside his office.  There on his door was a doormat –with words that read “Wipe Your Knees Before Entering”.  Talk about feeling intimidated – as if it wasn’t intimidating enough just to be meeting with the Director of Photography  at the  National Geographic.

So every six months or so I would show my images and pitch my ideas.  This went on for about two years.  Each time I went I would almost test myself to see how long I could stay in his office.  I would do my best to sell my story pitches that I felt the strongest about and he would reply – “done it –doing it – or – don’t want to do it”.  This coupled with a few words of encouragement in regards to some of my photographs would pretty much be it as far as feedback.

Then one day he kept me waiting.  He had been detained in a meeting.  I had scheduled a pretty tight day to maximize my trip to Washington – so the delay had thrown a wrench into me keeping my other appointments that I had scheduled.  When Gilka did show up and apologized, I was already feeling quite anxious and showed it.  I told him that I didn’t have much time because I had to be across town at the Smithsonian in 20 minutes.  He picked up the phone, called Declan Haun, the picture editor I was headed to see at Smithsonian Magazine and explained that Gail Mooney was running late due to his tardiness.  Then he proceeded to look at my pictures and hear me out.

When I did get to the Smithsonian, it was amusing to see how curious Declan Haun was to find out who this Gail Mooney was that got Bob Gilka to call ahead for her. The very next month, I got a call from Bob Gilka offering me my first assignment.  Guess I just needed to show my real self. I had sufficiently shown my interest and determination in wanting to shoot for them. And I had demonstrated my photographic ability through my images.  But it was when I showed my true spirit that he knew that I could shoot for them.  I just had to get over my fright.

Travel and Video

When I started out as a still photographer over 30 years ago, I knew I wanted to travel. And that’s exactly what I did, I traveled the world on assignment for magazines such as National Geographic Traveler, Travel & Leisure, Islands, Smithsonian and many more. I shot over 18 stories for National Geographic Traveler alone.

Over those years, I found myself doing a lot of observing as well as interacting and listening to people from cultures around the globe. I was fascinated by their stories. I documented my observations through my images and when it all came together perfectly my visuals told their story.

Many times I would feel the need to add audio or movement to fully capture the spirit of a place. When digital video came along and now HD it was a dream come true. Technology making all that possible for an independent shooter.

Travel and the medium of video are a perfect match. Adding the sounds of a destination or a recorded conversation adds another dimension to a story. Much of what I remember from past trips I’ve taken are the sounds of the environment. The prayer chants from a mosque in Giza at dawn – the bells of a sleigh in the snow in Banff- a yell from a street vendor in NYC – children laughing in a school yard in Blarney, Ireland. All ideal elements for a video format.

As well as adding the dimension of sound, shooting video allows you to add movement. Photographs are moments in time – video is time in motion. When you shoot travel, you want to immerse yourself in the place you’re in to get a full sense it. Whether it’s dance or a bustling market or a ferris wheel, video captures the energy of a place. I got fabulous footage from shooting from a ferris wheel. It acted like a giant jib when I shot from the ride as the wheel came around.

As far as shooting travel, adding video to my skills has opened up new ways of seeing many places I had been to dozens of times before. And with smaller and more discreet cameras, I can be less obtrusive. Video and travel – a perfect match.

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